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Poetic Acts & New Media

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Poetic Acts & New Media advances the fields of literary and new media studies by clarifying boundaries between competing genres and media through the creation of a new artistic genre, "media poetry." This aesthetic mode of expression/becoming seeks to transform mass culture (our codes of communication) by self-consciously acknowledging how textual, audio, and/or visual signs are constructed according to their simulation and not their representation.

This study draws heavily upon literary media theories that intersect with Gilles Deleuze's philosophy of 'Sense' as a simulated power of sensory transformations. Media poetry becomes a complex power of 'Sense' by blending conventional mass-media codes with poetic simulations that provide alternative forms of creating meaning.

Poetic Acts & New Media specifically examines the works of several poets that exemplify this multi-sensory approach to printed-text poetry, especially:
· Langston Hughes
· Tony Medina
· David Wojahn
· John Kinsella
· David Trinidad.

It also analyzes several contemporary films that embody the multi-modal logic of media poetry:
· David Lynch's Mullholland Drive
· Cameron Crowe's Vanilla Sky
· Spike Jonze's Being John Malkovich .

In addition, this study interprets two influential primetime Tv shows as exemplars of media poetry: Twin Peaks and Buffy the Vampire Slayer . All media poetry, regardless of genre or medium, allows readers/viewers to envision "reality production" as a rewriteable and poetic enterprise that can productively remediate any transparent abstraction or common-sense realism.

212 pages, Paperback

First published January 1, 2006

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Tom O'Connor

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March 10, 2008
Key words and phrases
Twin Peaks, Mulholland Drive, John Malkovich, postmodern, Laura Palmer, Vanilla Sky, However, BtVS, lucid dream, Buffyverse, Language poetry, David Trinidad, Willow, Hollywood, Sharon Tate, media poetry, semiotic, Betty/Diane, Plasticville, Charles Bernstein, Allyssa Wolf
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