This note regards Alexandre Dumas, père, the father of Alexandre Dumas, fils (son). For the son, see Alexandre Dumas fils.
Alexandre Dumas père, born Alexandre Dumas Davy de la Pailleterie, was a towering figure of 19th-century French literature whose historical novels and adventure tales earned global renown. Best known for The Three Musketeers, The Count of Monte Cristo, and other swashbuckling epics, Dumas crafted stories filled with daring heroes, dramatic twists, and vivid historical backdrops. His works, often serialized and immensely popular with the public, helped shape the modern adventure genre and remain enduring staples of world literature. Dumas was the son of Thomas-Alexandre Dumas, a celebrated general in Revolutionary France and the highest-ranking man of African descent in a European army at the time. His father’s early death left the family in poverty, but Dumas’s upbringing was nonetheless marked by strong personal ambition and a deep admiration for his father’s achievements. He moved to Paris as a young man and began his literary career writing for the theatre, quickly rising to prominence in the Romantic movement with successful plays like Henri III et sa cour and Antony. In the 1840s, Dumas turned increasingly toward prose fiction, particularly serialized novels, which reached vast audiences through French newspapers. His collaboration with Auguste Maquet, a skilled plotter and historian, proved fruitful. While Maquet drafted outlines and conducted research, Dumas infused the narratives with flair, dialogue, and color. The result was a string of literary triumphs, including The Three Musketeers and The Count of Monte Cristo, both published in 1844. These novels exemplified Dumas’s flair for suspenseful pacing, memorable characters, and grand themes of justice, loyalty, and revenge. The D’Artagnan Romances—The Three Musketeers, Twenty Years After, and The Vicomte of Bragelonne—cemented his fame. They follow the adventures of the titular Gascon hero and his comrades Athos, Porthos, and Aramis, blending historical fact and fiction into richly imagined narratives. The Count of Monte Cristo offered a darker, more introspective tale of betrayal and retribution, with intricate plotting and a deeply philosophical core. Dumas was also active in journalism and theater. He founded the Théâtre Historique in Paris, which staged dramatizations of his own novels. A prolific and energetic writer, he is estimated to have written or co-written over 100,000 pages of fiction, plays, memoirs, travel books, and essays. He also had a strong interest in food and published a massive culinary encyclopedia, Le Grand Dictionnaire de cuisine, filled with recipes, anecdotes, and reflections on gastronomy. Despite his enormous success, Dumas was frequently plagued by financial troubles. He led a lavish lifestyle, building the ornate Château de Monte-Cristo near Paris, employing large staffs, and supporting many friends and relatives. His generosity and appetite for life often outpaced his income, leading to mounting debts. Still, his creative drive rarely waned. Dumas’s mixed-race background was a source of both pride and tension in his life. He was outspoken about his heritage and used his platform to address race and injustice. In his novel Georges, he explored issues of colonialism and identity through a Creole protagonist. Though he encountered racism, he refused to be silenced, famously replying to a racial insult by pointing to his ancestry and achievements with dignity and wit. Later in life, Dumas continued writing and traveling, spending time in Belgium, Italy, and Russia. He supported nationalist causes, particularly Italian unification, and even founded a newspaper to advocate for Giuseppe Garibaldi. Though his popularity waned somewhat in his final years, his literary legacy grew steadily. He wrote in a style that was accessible, entertaining, and emotionally reso
امتیاز واقعی ۳.۵ گاهی احساس میکردم کتاب برای نوجوانان نوشته شده!🤔 دو شخصیت راسکاس و کورینیان شخصیتهای محبوبم بودن؛ دو آدم روحانی در عین حال جاسوس و همیشه در حال رقابت و کل کل انداختن با همدیگه 😏
:D در طول صفحات کتاب یک قسمت راجع به دوست داشتن توش بود که خیلی بدلم نشست .نوشته:انسان وقتی یک نفر را دوست می دارد،در جستجوی مستندات و دلایلی است که خود را وادار به خدمتگذاری نسبت به او کند و بر عکس ، وقتی کسی را دوست نمی دارد، یا امیدش بدوستی یا عشق او مبدل به یاس می شود،دلایلی را می یابد تا این که وجدان خود را قانع نماید که عدم مساعدت وی نسبت به او ، امری منطقی و عادلانه می باشد.
یک اثر فوقالعاده زیبا از الکساندر دوما که من رو به فرانسه قرن 16 برد. فضاسازی عالی بود و من واقعا خودم رو بین شخصیتهای رمان احساس میکردم. با وجود اینکه کاراکترها در داستان زیاد بودن اما اونقدر خوب بهشون پرداخته شده بود که هیچ وقت با همدیگه اشتباه نمیشدن و سرگذشت هرکدوم به خوبی روایت شده بود. نکته خیلی جالب برای من توصیههای نویسنده در مورد عشق؛ شرافت؛ جوانمردی و این گونه نصایح بود که واقعا دلنشین کرده بودن داستان رو. برای من عاشق رمانهای فانتزی هستم این داستان فوقالعاده جذاب بود و خوندنش رو توصیه میکنم. مخصوصا اگه دنبال یه رمان عاشقانه و گیرا هستید. من تا چند وقت دوستانم رو مادموازل صدا میکردم تحت تأثیر این داستان :). حتما کتابهای بعدی الکساندر دوما رو میخونم و فکر میکنم کتاب بعدی رمان معروف سه تفنگدار باشه.
من این کتاب رو خوندم و در حین خوندن مدام فکر میکردم از الکسانور دوما که میگن نویسنده بزرگیه واقعا چنین کتابی بعیده! بعد هم فهمیدم اصلا نه پدر و نه پسر هیچکدوم چنین کتابی ننوشتن و متاسفانه وقتم تلف شده بود واقعا!
http://sarbook.com/product/356644 زمان تاریخی این رمان نیز مانند «سه تفنگدار» در دوران صدراعظمی کاردینال قدرتمند و حیلهگر فرانسه، دوک ریشلیو میگذرد و نویسنده سعی کرده است با بهرهگیری از رویدادهای واقعی تاریخی و رویدادهای ساخته و پرداخته وی اثر قابل توجهی خلق کند که در این زمینه بسیار موفق بوده است. رمان «عشق صدراعظم» یک سرگذشت تاریخی جذاب، شیرین و بسیار درگیرکننده است که روزگان آن برهه از تاریخ فرانسه با نثر شگفتانگیز