Cinematic Identity: Anatomy of a Problem Film (Volume 29)

by Cindy Patton

In 'Cinematic Identity', Cindy Patton takes Elia Kazan's 'Pinky' (1949) as a starting point to meditate on the critical reception of this and other 'problem films' of the period and to explore the larger issues they raise about race, gender, and sexuality.

232 pages, Hardcover

First published January 1, 2007