it's interesting that Yuu Nagashima chose to write what are ostensibly coming-of-age stories as his two debut works (one an Akutagawa Prize nominee and the other a winner). but what's more interesting is that they're both in essence portraits of steadfast mother figures told from the incomplete, uninjurious perspectives of their charges. サイドカーに犬 (Dog in the Sidecar) from the start effuses a warm, tender atmosphere, which makes sense given that it's told as nostalgic flashback from an adult woman. the title story, 猛スピードで母は (At Breakneck Speed, Mother) holds the opposite perspective of a reserved grade school boy living with his single mom in a small, cold Hokkaido town. in both stories, Nagashima manages to carve such indelible impressions of these women by positioning the young protagonists as adjacent to and even reflective of their caretakers rather than relegating them to the role of detached bystander. but he still manages to maintain the suspension of disbelief with a simple style matching the thought process of adolescents.
Bon roman dans un style épuré, mais accrocheur. Nagashima a une belle plume poétique. Ces descriptions sont toutes en douceur. J'ai aimé aussi qu'il présente un autre côté de la maternité, soit la figure maternelle évasive, ça fait changement.