I honestly do not really understand why it is all that necessary for so very many literary critics and analysts to devote entire articles and essays to the question of whether L.M. Montgomery's Anne of Green Gables series, and in fact Montgomery's novels in general, are meant to be read primarily as children's or for the most part as adult reading fare, and mostly because I for one do not really think this consideration is all that essential and important in and of itself, that L.M. Montgomery's body of work should basically and simply be regarded and approached as something enjoyable for ALL READERS, both children and adults. And considering that for her collection of critical repsonses to L.M. Montgomery's Anne of Green Gables series, that for Such a Simple Little Tale, chief editor Mavis Reimer has focussed (according to her introduction) rather majorly and heavily on the former, on whether L.M. Montgomery was mostly writing for children or if her oeuvre was actually more adult reader oriented, I right from the very onset of my perusal of the articles contained in and chosen for Such a Simple Little Tale was approaching the featured texts with both trepidation and also rather expecting the worst so to speak, a trepidation that has also and frustratingly been rather justified and proven correct (well, at least for me personally) in many ways.
For while the included articles in Such a Simple Little Tale have mostly been interesting enough with regard to their general contents and how they interpret Anne Shirley as a character and the Anne novels as a series (and that I have indeed and definitely even very much also totally enjoyed a select few of them, such as for example Eva Kornfeld and Susan Jackson seeing the Anne of Green Gables series as a North American female Bildungsroman and Gillian Thomas' assessment of the later Anne books as exhibiting a serious and obvious decline in how Anne Shirley is described after L.M. Montgomery focusses more on Anne's children in Anne of Ingleside, Rainbow Valley and even in Rilla of Ingleside), many of the articles to and for me do tend to feel rather forced and like the authors are actually rather desperately trying to make L.M. Montgomery's writing into something totally deeply philosophical and primarily suitable for adult readers and not really even meant for children anymore (and yes, I also kind of chafe at Muriel S. Whitaker calling L.M. Montgomery's heroines "queer children" and that Perry Nodelman seems to consider Anne Shirley as a Peter Pan like someone who lives in a utopia and refuses to grow up). Combined with the fact that the suggestions for further reading in Such a Simple Little Tale, while of course appreciated, also appear in a rather reader and researcher unfriendly and rambling format and not actually separated out into clear MLA-like lists, while I certainly have found Such a Simple Little Tale interesting and enlightening, I have also and definitely not been all that impressed with and by Mavis Reimer's choices as to which articles and which critics to include in Such a Simple Little Tale and have most certainly been more than a bit frustrated with and by how the bibliographies have been set up and presented.