Why does music move us? Lawrence Kramer suggests we should ask this old question in a different way: what is responsible for our response to music, and to what is our response responsible? The essays in this outstanding collection explore this question amongst many others, and by finding cultural meaning in music they exemplify the critical turn in musicology. Sixteen essays have been selected, most of them previously published, from the late 1980s to the present day. These are prefaced by an excellent introduction which traces the intellectual development of critical musicology and discusses the part these essays have had to play in that movement.
Lawrence Kramer is Professor of English and Music at Fordham University and co-editor of the journal 19th-Century Music. He has held visiting professorships at Yale, Columbia, the University of Graz, the University of Newcastle upon Tyne, and McMaster University. His work, focused on the interrelations of music, culture, and society, comprises numerous essays and a series of seven books, most recently including Musical Meaning: Toward a Critical History (2001) and Opera and Modern Culture: Wagner and Strauss (2004), both published by the University of California Press. Next year California will bring out Beyond the Soundtrack: Representing Music in Cinema, a collection he edited with Daniel Goldmark and Richard Leppert on the basis of an international conference that the three organized in 2004.