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Alternative Theatre in Poland 1954-1989
Alternative Theatre in Poland 1954-1989 describes a theatre movement about which little has been written in English. The complex nature of the relationship between theatre and politics is explored in this unique study of the exceptionally vibrant Polish theatre scene.
Tracing its evolution from the beginnings of the movement in the 1950s when two amateur student theatre groups performed programs of short, satiric skits which expanded the limits of the artistically permissable within a Communist society, the development of this movement is followed through the 1960s, when these satiric theatres, and others which sprang up in their wake, were forced by government censorship to become less politically active. During this period, other student groups concentrated on artistic experimentation, creating such forms as visual theatre, one-person shows, fact-montages, and poetry theatre. Furthermore, the period after 1956 saw the founding of two non-student theatres, Tadeusz Kantor's Cricot 2 and Jerzy Grotowski's Laboratory Theatre, both dedicated to artistic experimentation and having significant influence on alternative theatres worldwide.
In th 1970s, during the next period of political liberalization, the alternative theatre movement linked the avant-garde format it had acquired in the 1960s with the political engagement of the 1950s and reached its zenith with the works of groups such as the Theatre of the 8th Day. After the Solidarity period (1980-81), the movement declined in societal importance but groups such as Akademia Ruchu, Provisorium and Gardzienice continue to exist and produce experimental work.
Tracing its evolution from the beginnings of the movement in the 1950s when two amateur student theatre groups performed programs of short, satiric skits which expanded the limits of the artistically permissable within a Communist society, the development of this movement is followed through the 1960s, when these satiric theatres, and others which sprang up in their wake, were forced by government censorship to become less politically active. During this period, other student groups concentrated on artistic experimentation, creating such forms as visual theatre, one-person shows, fact-montages, and poetry theatre. Furthermore, the period after 1956 saw the founding of two non-student theatres, Tadeusz Kantor's Cricot 2 and Jerzy Grotowski's Laboratory Theatre, both dedicated to artistic experimentation and having significant influence on alternative theatres worldwide.
In th 1970s, during the next period of political liberalization, the alternative theatre movement linked the avant-garde format it had acquired in the 1960s with the political engagement of the 1950s and reached its zenith with the works of groups such as the Theatre of the 8th Day. After the Solidarity period (1980-81), the movement declined in societal importance but groups such as Akademia Ruchu, Provisorium and Gardzienice continue to exist and produce experimental work.
292 pages, Paperback
First published June 1, 1996
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