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The Kentons
Excerpt from The KentonsThe young fellows who came to make the morning calls, long since disused in the centres of fashion, or the evening calls, scarcely more authorized by the great world. She sewed, and he read his paper in her satisfactory silence, or they played check ers together. She did not like him to win, and when she found herself unable to bear the prospect of defeat, she refused to let him make the move that threatened the safety of her men. Sometimes he laughed at her, and sometimes he scolded, but they were very good comrades, as elderly married people are apt to be. They had long ago quarrelled out their serious differences, which mostly arose from such differences of temperament as had first drawn them together; they criticised each other to their children from time to time, but they atoned for this defection by complaining of the children to each other, and they united in giving way to them on all points concerning their happiness, not to say their pleasure.
238 pages, Hardcover
First published January 1, 1902
About the author
William Dean Howells
1,237 books100 followersWillam Dean Howells (1837-1920) was a novelist, short story writer, magazine editor, and mentor who wrote for various magazines, including the Atlantic Monthly and Harper's Magazine.
In January 1866 James Fields offered him the assistant editor role at the Atlantic Monthly. Howells accepted after successfully negotiating for a higher salary, but was frustrated by Fields's close supervision. Howells was made editor in 1871, remaining in the position until 1881.
In 1869 he first met Mark Twain, which began a longtime friendship. Even more important for the development of his literary style — his advocacy of Realism — was his relationship with the journalist Jonathan Baxter Harrison, who during the 1870s wrote a series of articles for the Atlantic Monthly on the lives of ordinary Americans.
He wrote his first novel, Their Wedding Journey, in 1872, but his literary reputation took off with the realist novel A Modern Instance, published in 1882, which described the decay of a marriage. His 1885 novel The Rise of Silas Lapham is perhaps his best known, describing the rise and fall of an American entrepreneur of the paint business. His social views were also strongly represented in the novels Annie Kilburn (1888), A Hazard of New Fortunes (1890), and An Imperative Duty (1892). He was particularly outraged by the trials resulting from the Haymarket Riot.
His poems were collected during 1873 and 1886, and a volume under the title Stops of Various Quills was published during 1895. He was the initiator of the school of American realists who derived, through the Russians, from Balzac and had little sympathy with any other type of fiction, although he frequently encouraged new writers in whom he discovered new ideas.
Howells also wrote plays, criticism, and essays about contemporary literary figures such as Henrik Ibsen, Émile Zola, Giovanni Verga, Benito Pérez Galdós, and, especially, Leo Tolstoy, which helped establish their reputations in the United States. He also wrote critically in support of American writers Hamlin Garland, Stephen Crane, Emily Dickinson, Mary E. Wilkins Freeman, Paul Laurence Dunbar, Sarah Orne Jewett, Charles W. Chesnutt, Abraham Cahan, Madison Cawein,and Frank Norris. It is perhaps in this role that he had his greatest influence. In his "Editor's Study" column at the Atlantic Monthly and, later, at Harper's, he formulated and disseminated his theories of "realism" in literature.
In 1904 he was one of the first seven people chosen for membership in the American Academy of Arts and Letters, of which he became president.
Howells died in Manhattan on May 11, 1920. He was buried in Cambridge Cemetery in Massachusetts.
Noting the "documentary" and truthful value of Howells' work, Henry James wrote: "Stroke by stroke and book by book your work was to become, for this exquisite notation of our whole democratic light and shade and give and take, in the highest degree documentary."
In January 1866 James Fields offered him the assistant editor role at the Atlantic Monthly. Howells accepted after successfully negotiating for a higher salary, but was frustrated by Fields's close supervision. Howells was made editor in 1871, remaining in the position until 1881.
In 1869 he first met Mark Twain, which began a longtime friendship. Even more important for the development of his literary style — his advocacy of Realism — was his relationship with the journalist Jonathan Baxter Harrison, who during the 1870s wrote a series of articles for the Atlantic Monthly on the lives of ordinary Americans.
He wrote his first novel, Their Wedding Journey, in 1872, but his literary reputation took off with the realist novel A Modern Instance, published in 1882, which described the decay of a marriage. His 1885 novel The Rise of Silas Lapham is perhaps his best known, describing the rise and fall of an American entrepreneur of the paint business. His social views were also strongly represented in the novels Annie Kilburn (1888), A Hazard of New Fortunes (1890), and An Imperative Duty (1892). He was particularly outraged by the trials resulting from the Haymarket Riot.
His poems were collected during 1873 and 1886, and a volume under the title Stops of Various Quills was published during 1895. He was the initiator of the school of American realists who derived, through the Russians, from Balzac and had little sympathy with any other type of fiction, although he frequently encouraged new writers in whom he discovered new ideas.
Howells also wrote plays, criticism, and essays about contemporary literary figures such as Henrik Ibsen, Émile Zola, Giovanni Verga, Benito Pérez Galdós, and, especially, Leo Tolstoy, which helped establish their reputations in the United States. He also wrote critically in support of American writers Hamlin Garland, Stephen Crane, Emily Dickinson, Mary E. Wilkins Freeman, Paul Laurence Dunbar, Sarah Orne Jewett, Charles W. Chesnutt, Abraham Cahan, Madison Cawein,and Frank Norris. It is perhaps in this role that he had his greatest influence. In his "Editor's Study" column at the Atlantic Monthly and, later, at Harper's, he formulated and disseminated his theories of "realism" in literature.
In 1904 he was one of the first seven people chosen for membership in the American Academy of Arts and Letters, of which he became president.
Howells died in Manhattan on May 11, 1920. He was buried in Cambridge Cemetery in Massachusetts.
Noting the "documentary" and truthful value of Howells' work, Henry James wrote: "Stroke by stroke and book by book your work was to become, for this exquisite notation of our whole democratic light and shade and give and take, in the highest degree documentary."
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Displaying 1 of 1 review
September 30, 2020
(My ranking of Howells' best novels: https://azleslie.com/posts/howells-ra...)
The Kentons starts really strong, throwing you into a cycle of each family member's opinion of each other: each has odd neuroses and blind spots, each gets on another's nerves, each gets on the *readers* nerves. Everyone is a believable, realistic character, precisely because everyone is kinda odd. And then an even odder thing happens: the three young adult children keep entering opposites-attract flirtations -- which, to make it more uncomfortable, they tend to replicate. Even on the final page, a successful suitor is referred to as the alter ego of one who turned out to be insufferable. This is all very well done, even though it can't really be said that there is plot here besides the family going on a trip, mock-hilariously, to avoid a bad suitor.
The Kentons starts really strong, throwing you into a cycle of each family member's opinion of each other: each has odd neuroses and blind spots, each gets on another's nerves, each gets on the *readers* nerves. Everyone is a believable, realistic character, precisely because everyone is kinda odd. And then an even odder thing happens: the three young adult children keep entering opposites-attract flirtations -- which, to make it more uncomfortable, they tend to replicate. Even on the final page, a successful suitor is referred to as the alter ego of one who turned out to be insufferable. This is all very well done, even though it can't really be said that there is plot here besides the family going on a trip, mock-hilariously, to avoid a bad suitor.
Displaying 1 of 1 review