Looking at Giacometti

by David Sylvester

Winner of a Venice Bienniale Golden Lion Award, Looking at Giacometti is a compelling mixture of biography and criticism, including an extraordinary interview with Giacometti.

Written over a period of forty years, Looking at Giacometti is a profound response to the art of one of modernism’s greatest sculptors. It takes students from world-renowned art critic David Sylvester’s first visits to Giacometti’s studio in the late 1940s to the author’s prolonged sitting for the artist’s portrait of him in the 1960 and reflections on his complete oeuvre after Giacometti’s death. A compelling mixture of biography and criticism, and including a sixteen-page insert of black and white photographs by Patricia Matisse, this book sheds new light on twentieth-century art and thought.

Genres: Art

176 pages, Paperback

First published January 1, 1994

About the author

Anthony David Bernard Sylvester CBE, (21 September 1924; London – 19 June 2001; London) was a British art critic and curator. During a long career David Sylvester was influential in promoting modern art in Britain, in particular the work of Lucian Freud and Francis Bacon.

Born into a well connected north-London Jewish family, Sylvester had trouble as a student at University College School and was thrown out of the family home. He wrote for the paper Tribune and went to Paris in 1947 where he met Alberto Giacometti one of the strongest influences on him. Though writing for a range of publications as a critic including The Observer and New Statesman the main thrust of his writing that direct response to the artwork was most important remained constant. Sylvester is credited with coining the term kitchen sink originally to describe a strand of post-war British painting typified by John Bratby. Sylvester used the phrase negatively but it was widely applied to other art forms including literature and theatre. During the 1950s Sylvester worked with Henry Moore, Freud and Bacon but also supported Richard Hamilton and the other 'Young Turks' of British pop art. This led him to become a prominent media figure in the 1960s. During the 1960s and 70s Sylvester occupied a number of roles at the Arts Council of Great Britain serving on advisory panels and on the main panel. In 1969 he curated a Renoir exhibition at the Hayward Gallery for which he was assisted by a young Nicholas Serota.

Reviews

[Elisefur · Rating 4 out of 5]

I want all art writing to be this intimate.