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电视人

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★ 创作于村上走上文学创作道路以来精神上最艰难的阶段,村上春树经历创作停滞期后的回归;
★ 孤独,无奈,疏离,寻找与失落的周而复始,切实将失落感诉诸文字,敏锐捕捉各种隐秘的存在状态和独特的生命体验;
★ 将卡夫卡式的荒诞现实融入啼笑皆非的悲伤喜剧中,将生活背后的幽暗冷静地铺陈开来,让你在隔岸观火的同时引火上身;
★ 村上春树以独特的想象力深度勾勒,在理想世界与现实规约之间拉扯,展现分裂的生存状态与纠结矛盾的人性;
★ 收录《电视人》和《眠》两篇村上春树最为中意的短篇小说。

村上春树(MURAKAMI HARUKI)

日本著名作家。1949年生于日本京都。毕业于早稻田大学文学部。

1979年以处女作《且听风吟》获得群像新人文学奖。主要著作有《挪威的森林》《世界尽头与冷酷仙境》《舞!舞!舞!》《奇鸟行状录》《海边的卡夫卡》等。有60多部作品被翻译至其他国家和地区,翻译语言超过50种,在世界各地深具影响。

村上春树短篇小说集。作品有描写根据正常人缩小复印出来的小人“电视人”大模大样闯私宅、闯公司,有写古怪女孩爱上了男同学却不和他结婚,有写女子失眠一个月却认为人生扩大了三分之一,故事无不出人意表,体现了作者卓越的想象力。书中收录的《电视人》和《眠》被村上视为他最中意的两篇短篇小说。

这里展示的是始于村上春树创作初期的一贯主题: 任何人都会觉得现实恍若梦幻,都会难以相信自身的存在。 ——三浦雅士 《眠》是个真正的转折点,一个新层次的标志,几乎完全丧失了旧有的冷静和疏离感,是转向恐怖和暴力的清楚标志,这种因素看来已逐渐成为村上作品中不可避免的重要内容,他越来越自觉地认识到这是身为一位日本作家必须恪尽的职责。 ——杰伊·鲁宾 村上活灵活现描绘出这种栖居于都市一角的“异人”,将我们的疲劳、失眠、无奈、恐怖、绝望、孤独感折射在他们身上。无须说,这一现实性源于我们对于都市“黑暗”的“惊惧”。同时村上的小说也告诉我们这种“惊惧”中含有几分难以言喻的释然。 ——川村凑 《电视人》对于我是具有重要意义的短篇集。比之内容上的(内容方面我基本不处于做出判断的立场),更是位置上的,个人角度的。在创作收在这里的作品过程中我得以恢复,得以找回自己原来的步调,得以为登上下一台阶做好准备。 ——村上春树

106 pages, Kindle Edition

Published October 1, 2021

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About the author

Haruki Murakami

626 books135k followers
Haruki Murakami (村上春樹) is a Japanese writer. His novels, essays, and short stories have been best-sellers in Japan and internationally, with his work translated into 50 languages and having sold millions of copies outside Japan. He has received numerous awards for his work, including the Gunzo Prize for New Writers, the World Fantasy Award, the Tanizaki Prize, Yomiuri Prize for Literature, the Frank O'Connor International Short Story Award, the Noma Literary Prize, the Franz Kafka Prize, the Kiriyama Prize for Fiction, the Goodreads Choice Awards for Best Fiction, the Jerusalem Prize, and the Princess of Asturias Awards.
Growing up in Ashiya, near Kobe before moving to Tokyo to attend Waseda University, he published his first novel Hear the Wind Sing (1979) after working as the owner of a small jazz bar for seven years. His notable works include the novels Norwegian Wood (1987), The Wind-Up Bird Chronicle (1994–95), Kafka on the Shore (2002) and 1Q84 (2009–10); the last was ranked as the best work of Japan's Heisei era (1989–2019) by the national newspaper Asahi Shimbun's survey of literary experts. His work spans genres including science fiction, fantasy, and crime fiction, and has become known for his use of magical realist elements. His official website cites Raymond Chandler, Kurt Vonnegut and Richard Brautigan as key inspirations to his work, while Murakami himself has named Kazuo Ishiguro, Cormac McCarthy and Dag Solstad as his favourite currently active writers. Murakami has also published five short story collections, including First Person Singular (2020), and non-fiction works including Underground (1997), an oral history of the Tokyo subway sarin attack, and What I Talk About When I Talk About Running (2007), a memoir about his experience as a long distance runner.
His fiction has polarized literary critics and the reading public. He has sometimes been criticised by Japan's literary establishment as un-Japanese, leading to Murakami's recalling that he was a "black sheep in the Japanese literary world". Meanwhile, Murakami has been described by Gary Fisketjon, the editor of Murakami's collection The Elephant Vanishes (1993), as a "truly extraordinary writer", while Steven Poole of The Guardian praised Murakami as "among the world's greatest living novelists" for his oeuvre.

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