CONTENTS GENJI MONOGATARI Introduction The Chamber of Kiri The Broom-like Tree Beautiful Cicada Evening Glory Young Violet Saffron Flower Maple Fête Flower-Feast Hollyhock Divine Tree Villa of Falling Flowers Exile at Suma Exile at Akashi The Beacon Overgrown Mugwort Barrier House Competitive Show of Pictures
CLASSICAL POETRY OF JAPAN Introduction Ballads— The Fisher-Boy Urashima On Seeing a Dead Body The Maiden of Unáhi The Grave of the Maiden of Unáhi The Maiden of Katsushika The Beggar's Complaint A Soldier's Regrets on Leaving Home Love Songs— On Beholding the Mountain Love is Pain Hitomaro to His Mistress No Tidings Homeward The Maiden and the Dog Love is All Husband and Wife He Comes Not He and She The Pearls A Damsel Crossing a Bridge Secret Love The Omen A Maiden's Lament Rain and Snow Mount Mikash Evening Elegies— On the Death of the Mikado Tenji On the Death of the Poet's Mistress Elegy on the Poet's Wife On the Death of Prince Hinami On the Death of the Nun Riguwañ On the Poet's Son, Furubi Short Stanza on the Same Occasion Miscellaneous Poems— View from Mount Kago The Mikado's Bow Spring and Autumn Spring Recollections of My Children The Brook of Hatsúse Lines to a Friend A Very Ancient Ode The Bridge to Heaven Ode to the Cuckoo The Ascent of Mount Tsukúba Couplet Short Stanzas
I have read only two plays from this anthology, but I liked them both. "Abstraction" is very short, but it reminds me of the work of Japanese film directors like Kurosawa and a classic like Rashomon. The nature of identity and truth is slippery in this piece. At the same time, there is definite evidence of classic Japanese virtues like duty, decorum, and masculinity/patriarchy. The second play I read is one of the Japanese Noh dramas called "Nakamitsu." What a tragic piece. The theme of duty is prevalent and is the source of much of the tragedy and in my case near anger and revulsion at what happens to some of these characters. However the themes of sacrifice, courage, and honors make for a powerful experience.