Literary Amazonia: Modern Writing by Amazonian Authors

by Nicomedes Suárez-Araúz (Editor)

"This could be one of the most important collections of literature in translation to appear this year."-- Choice "A dazzling spectacle of diversity . . . This new, emergent, exciting book is a read worth its price. No collection of world literature, personal or public, is complete and comprehensive without a copy of Literary Amazonia."-- World Literature Today "Unusual in its enlightened departure from a geopolitical organization of literary production. The quality of the works and their exceptional translations are fitting tributes to a bold new view of an important facet of Latin American literature, by and large unfamiliar to most readers."--Leland Guyer, Macalester College, St. Paul This remarkable selection of 20th-century Amazonian literature presents writing from the indigenous and mestizo people of the Amazon basin, recovering their forgotten voices for the Latin American literary canon. Most of these pieces--from 24 representative poets and 12 prose writers--are collected and translated into English here for the first time. Reflecting the editor's Pan-Amazonian vision, the book's organizational principle embraces the entire 7 million square kilometers of the Amazon basin as one imaginary space linked by myth, history, geography, and economy--not divided into arbitrary political regions. Most inhabitants live along the banks of the Amazon River or its more than 1,000 tributaries, the widespread water system that unifies the work of these writers. Contributors to this volume also come from Amazonian cities such as Iquitos in Peru and Leticia in Colombia as well as from the Andean cities of Quito and La Paz and the English-speaking country of Guyana. These poems, stories, and passages from novels include traditional themes of the indigenous groups, many dealing with their threatened survival and the relationship of humans to nature. They describe colonial and neocolonial exploitation of the land and its inhabitants, recent urbanization and its effects, and the individual concerns of each author, who frequently assumes the role of spokesperson for social justice. Often the writing speaks through myths, such as the tale of the boto, the pink river dolphin capable of metamorphosis into human form, or the story of the beautiful woman who gave birth to the Amazon River with her inconsolable and torrential weeping. It includes the Amazonian tradition of haiku verse, which attests to the cultural presence for more than a century of a sizable Japanese colony in the region. Amazonia typically has been regarded as a jungle environment--a source of folk tales and the concern of anthropologists. This pioneering collection illustrates the extraordinary multiculturalism of the region and its evolving contemporary culture. While turning notions of national literatures upside down, the book will contribute to the construction of a new Amazonian identity and will position the region's creative writing firmly inside mainstream Latin American literary history. What's more, it evokes the astonishing and marvelous beauty of one of the world's most important river cultures.  Nicomedes Suarez-Araúz is director of the Center for Amazonian Literature and Culture at Smith College.

216 pages, Paperback

First published March 25, 2007

Reviews

[Bill]

One time I went to a record store. I was still on the younger end. I picked out a record and asked the guy at the counter to let me hear it. There were record players with headphones. He looked at the record and said, "Oh, just buy it. You won't regret it." I replied, "Yeah?" and he said, "Yeah." So I bought it and took it home and the guy was right.
That's this book. If you want to know that it wasn't too long ago when poetry was part of a national conversation, find this.
The prospect of poetry written out of places like Iquitos in the 70's is an alluring one. What sort of poetry comes out of the Amazon, the Andes and the cities between?
These thoughts are fine but they tend towards exotification and othering. I don't want to hear the label "magical realism" again. It's such a boring, flat label, yes, even with the word magical in it.
These are earnest poets of various levels of confidence both in delivery and intimacy. As usual, there are a few poems that sound like explaining a better poem. There are the poems that read like announcements, bulletins, hut two. But there are also strange and rich and yet very familiar poems, poems you recognize though you haven't seen them before. And isn't that last kind of poem the reason for reading poetry? Not totally. Yes, there is the claim, and it is a romantic one, that all discovery is really recovery of what was forgotten. This is an enchanting thought, and it makes sense in an infinite space. Yet there are a few of us who persist that the truly undiscovered, that which has has never been known, does exist. If a thing has never before been seen by any thing, does it exist? There are poems here that convince you they've never once been read before, not even by its author, until you.

[Ingrid]

This is such a wonderful and underrated book. If you are interested in expanding your literature perspective, this book is an excellent way to do so. The diversity of the authors is wide raging, both male and female authors from the Amazon region are featured. The genres are diverse as well: poetry, prose, short stories, and longer excerpts are included. Unconventional stories and socially compelling narratives open the reader's eyes to a region and to an excellent group of authors. The editor, Nicomedes Suarez Arauz, did a fantastic job choosing the pieces in this collection.