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Erotic Faculties
The erotic and the intellectual come together to create a new kind of criticism in the lushly written work of Joanna Frueh. Addressing sexuality in ways that are usually hidden or left unsaid, Frueh—a noted performance artist and art historian—explores subjects such as aging, beauty, love, sex, pleasure, contemporary art, and the body as a site and vehicle of knowledge. Frueh's language is explicit, graphic, fragmented. She assumes multiple voices: those of lover, prophet, daughter, mythmaker, art critic, activist, and bleeding heart. What results is an utterly original narrative that frees us from the false objectivity of traditional critical discourse and affirms the erotic as a way to ease human suffering. Through personal reflection, parody, autobiography, and poetry, Frueh shows us what it means to perform criticism, to personalize critical thinking. Rejecting postmodern, deconstructed prose, she recuperates the sentimental, proudly asserts a romantic viewpoint, and disrupts academic and feminist conventions. Erotic Faculties seeks to free the power of our unutilized erotic faculties and to expand the possibilities of criticism; it is a wild ride and a consummate pleasure. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
- GenresFeminism
230 pages, Paperback
First published June 1, 1996
About the author
Joanna Frueh
13 books8 followersJoanna Frueh (1948-2020) was an artist, writer and feminist scholar. In 2008 she was awarded a Women's Caucus for Art Lifetime Achievement Award. Her book Monster Beauty: Building the Body of Love, dealing with the aesthetics of beauty, pleasure and the erotic in everyday life was published by the University of California Press. Her writing combined theory with autobiography, photography, and poetry to develop these concepts. She was also a performance artist.
Frueh received her Ph.D. from the University of Chicago in History of Culture. She was Professor of Art History Emerita at the University of Nevada, Reno, where she served from 1990 to 2006. Prior to that she was Assistant Professor of art history at Oberlin College, Oberlin, Ohio, (1983-1985) and the University of Arizona, Tucson (1981-1983).
She authored and edited several books, notably Erotic Faculties (University of California Press, 1996) and Hannah Wilke: A Retrospective (1989); and was coeditor of Picturing the Modern Amazon (2000), Feminist Art Criticism: Art, Identity, Action (1994), and Feminist Art Criticism: An Anthology (1991). She wrote articles and reviews for Art in America, Art Journal, AfterImage, High Performance Magazine, and New Art Examiner, among others
Frueh received her Ph.D. from the University of Chicago in History of Culture. She was Professor of Art History Emerita at the University of Nevada, Reno, where she served from 1990 to 2006. Prior to that she was Assistant Professor of art history at Oberlin College, Oberlin, Ohio, (1983-1985) and the University of Arizona, Tucson (1981-1983).
She authored and edited several books, notably Erotic Faculties (University of California Press, 1996) and Hannah Wilke: A Retrospective (1989); and was coeditor of Picturing the Modern Amazon (2000), Feminist Art Criticism: Art, Identity, Action (1994), and Feminist Art Criticism: An Anthology (1991). She wrote articles and reviews for Art in America, Art Journal, AfterImage, High Performance Magazine, and New Art Examiner, among others
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October 28, 2007Belongs to: Kathryn
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2) Lauren A.
Read by:
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2) Lauren A.
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