Oh this book. I just don't know. I feel like I just keep reading books that simply miss the mark for me, and yet I have a sinking feeling this is going to be my it's so bad, it's kind of good' story.
The book has all of the tropes that I really like. I love trauma tropes and watching characters overcome the terrible things that have happened to them. I also love vampires. But this book had way too many moments where I sighed and said woefully 'oh, this book.'
Robyn Andrews is a prisoner of a druglord that her mother hooked up with, and now she's alone after her mother's death. The abuse was terrible, and I felt like the author did a good job of portraying Robyn's experiences. I felt empathy for her and wanted better. The first few chapters were harrowing and I just wanted Jake to get what he had coming to him.
I won't rehash too much of the plot since it's in the summary of the book, but I started rolling my eyes shortly after she escaped Jake. I had a few problems with the believability of Jake as a villain. He came off as very cartoonish to me. It was hard for me to believe that he'd wait until she was eighteen before taking liberties with her, but I also understand comfort levels of writers and readers. Still, that part just seemed so bizarre considering that her mother was dead for a year or two.
There were other eye rolling parts of this book for me, particularly the names of the heroes. Whatever happened to our standard romance favorites, like Lucian, damion? We had Tank, Vane, Rayne, and our intrepid hero, Trigg. They all lived together in a cell, a small group. Although the author makes sure to crack the cellmates joke and then explain it to us just in case we didn't get it. I couldn't get over the name Trigg. I kept getting visions of someone who couldn't control himself during intimate moments. I'm a horrible, horrible person.
There were gaping plot holes like just how Jake found out that Robyn was in Louisville. That part seemed so contrived and like it came out of left field.
I also had trouble sympathizing with Robyn sometimes but I chocked it up to the fact that she was eighteen, and had been a prisoner for most of her teen-aged life, and she was falling in love for the first time. I think the love story portion of this book would have worked better for me if Robyn wasn't barely legal.
The other problem that I had with this book was that the writing style was full of extraneous wording. I didn't need to know all of the details about how Robyn went down to the washer, grabbed the detergent, unscrewed the lid, poured it in, put it back in its place, turned the knob, and then went upstairs. There were several passages like this that didn't really pertain to the overall plot of the book and felt like they were tossed in to make the story longer. It was frustrating, and I found myself sighing in annoyance.
There were other parts of this book that really took away from my overall enjoyment of it, such as a trope that takes place in their second intimacy scene that drives me nuts, the fact that I felt as though a few of the characters had stereotypes that they obviously had lived up to due to their ethnic backgrounds, and that I didn't find the love story to be entirely believable even if I did kind of like both characters.
So what did I like? When the story wasn't bogged down with so many words, it clipped along. I found myself hoping for a happily ever after for Robyn and Trigg. Also, the author writes some fabulous fight scenes that didn't hold back on the gore. Also, there are some common vampire tropes that are turned on their heads.
Despite my misgivings about the first story, I find that I want to read the next one if for no other reason than to figure out how things turn out for the rest of the Cellmates (har har).
Maybe I've read too much paranormal romance and am getting jaded. I hope that the next installment in the series is more enjoyable for me than the first. I feel like this story had a lot of potential but fell flat. But I guess if I want to read book 2 then it wasn't completely horrible.