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The Schubert Song Transcriptions for Solo Piano/Series III: The Complete Schwanengesang

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The foremost pianist-composer of his day, Franz Liszt unselfishly promoted the works of his fellow composers through his brilliant piano transcriptions of their music. Among his most inspired contributions to the literature were his legendary transcriptions of Franz Schubert's songs.
This volume — the third and last in Dover's popular series of Liszt-Schubert song transcriptions — contains Schubert's complete Schwanengesang (Swan Song), including "Abschied," "Am Meer," "Das Fischermädchen," "Ständchen" (the world-famous "Serenade"), "Der Doppelganger," and nine other great lieder.
Reproduced from extremely rare early editions edited by Liszt himself, these dazzling transcriptions retain all the lyric beauty and emotional depth of Schubert's original music, yet reflect Liszt's incomparable mastery of the difficult art of transcription from the original medium of voice and piano to that of solo piano. A modestly priced collection of hard-to-find treasures of 19th century literature, these unique facsimile reproductions will be prized by pianists and all lovers of fine music.

208 pages, Paperback

First published February 2, 1999

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About the author

Franz Liszt

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Franz Liszt (1811, Doborján, Hungary - 1886, Bayreuth, Germany)(Hungarian: Ferencz Liszt, in modern usage Ferenc Liszt, from 1859 to 1865 officially Franz Ritter von Liszt) (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher. He was also the father-in-law of Richard Wagner.

Liszt became renowned throughout Europe for his great skill as a performer during the 1800s. He is said to have been the most technically advanced and perhaps greatest pianist of all time. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner and Hector Berlioz.

As a composer, Liszt was one of the most prominent representatives of the “neudeutsche schule” (“New German School”). He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.

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