This open access book discusses how cultural literacy can be taught and learned through creative practices. It approaches cultural literacy as a dialogic social process based on learning and gaining knowledge through emphatic, tolerant, and inclusive interaction. The book focuses on meaning-making in children and young people’s visual and multimodal artefacts created by students aged 5–15 as an outcome of the Cultural Literacy Learning Programme implemented in schools in Cyprus, Germany, Israel, Lithuania, Spain, Portugal, and the UK. The lessons in the program address different social and cultural themes, ranging from one’s cultural attachments to being part of a community and engaging more broadly in society. The artefacts are explored through data-driven content analysis and self-reflexive and collaborative interpretation and discussed through multimodality and a sociocultural approach to children’s visual expression. This interdisciplinary volume draws on cultural studies, communication studies, art education, and educational sciences.
I was looking forward to reading this book, and I respect the researchers enormously.
We do need some considered work that aligns multimodality and cultural literacy. The problem is that these debates have not moved beyond the great research of Gunther Kress and - indeed - the New London Group's provocative and powerful innovations.
There was attention to how children's creativity - particularly visuality - is developed, understood and assessed. There is also a final chapter on Covid-19. But this book does not extend or transcend the already existing scholarship in this area.
It is a solid book with some evocative arguments. Yet the great book on cultural literacy is yet to be written.