FAR FROM HOME, LITERALLY AND FIGURATIVELY
The twelve stories in Vincent Traughber Meis’s Far from Home intimately involve the reader in their American gay protagonists’ experiences with gender and sexual orientation in foreign cultures. Several stories take place in Saudi Arabia, several in Cuba, with other stories set in Spain, Turkey, the Netherlands, and Mexico. Two stories occur in the United States, which can be just as dangerous, if not more so, for gay and gender-nonconforming people as any foreign country can be. Thus, Meis’s title, Far from Home, infers much more than its literal meaning.
Although Meis surely writes from his own first-hand knowledge of the cultures in which he places his stories, as in his superb description of the exotic markets in Saudi Arabia in “Market Day in Qatif,” his stories are not mere travelogues. The American characters’ lives in these stories sometimes become almost inextricably connected with people in the various foreign cultures in which they find themselves.
In the fascinating “Venceremos Brigade,” Byron, whose black lover was murdered in the Southern U.S., joins a group of Americans who go to Cuba to work in the sugar cane fields to help support the revolution. Byron’s incipient gayness is awakened by Rafael, a Cuban American, who is sincere in his love for Byron. What will Byron do?
Perhaps the darkest of the stories in Far from Home is one of the two stories set in the United States. Dwayne, a middle-aged Vietnam veteran trying to hold it together in the San Francisco Bay area, is suddenly confronted by Billy, his extremely troubled gay son, who needs help in evading the law. We’re in America. Billy has a gun. What could go wrong?
In “Cruising,” the only story in Far from Home that is not about gay men, May Burd passes as a man in the Netherlands. At one point in the story, she says, “I wondered if it was more dangerous to be a woman or perceived as a gay man.” She finds out.
“Shelter in Place” takes place in Barcelona on lockdown from COVID. “Manama Christmas” is told from the point of view of Sydney, who has moved with her husband to Saudi Arabia, where he teaches at a university. She makes many perceptive observations about the treatment of women in this extremely patriarchal and misogynistic society. She also discovers her husband’s secret.
The narrator in “Blade of Grass” is a photographer covering the Kirkpinar Wrestling Championships in Turkey. He is helped to recover from a scooter accident by one of the wrestlers in the competition who has learned the passing of hands from his grandma. “Miguel Mio” is a heartwarming story set in Mexico from which two sentences have remained with me: The first, “The butterfly settled in his thick dark hair.” The second, “We were from different worlds, but we were part of a community.” These two stories are more romantic than the other stories in Far from Home.
I’ve only mentioned half of the twelve engaging stories in Far from Home. Pick up a copy and settle down to accompany the narrators and protagonists on their journeys to foreign lands and to, hopefully, life-changing self-discovery.