Theatre History Studies 2019, Vol. 38

Theatre History Studies #38

by Sara Freeman (Introduction), Guillermo Aviles-Rodriguez (Contributor), Sean Bartley (Contributor)

Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference
 
THEATRE HISTORY STUDIES, VOLUME 38
 
PART Studies in Theatre History
 
ELIZABETH COEN
Hanswurst’s Defending the Comic in the Theatres of Eighteenth-Century Vienna


BRIDGET MCFARLAND
“This Affair of a Theatre”: The Boston Theatre Controversy and the Americanization of the Stage
 
RYAN TVEDT
From Moscow to How the Russian Cubo-Futurists Accessed the Provinces
 
DANIELLA VINITSKI MOONEY
So Long Ago I Can’t GAle GAtes et al. and the 1990s Immersive Theatre
 
Part The Site-Based Theatre Audience Dramaturgy and Ethics
                —EDITED BY PENELOPE COLE AND RAND HARMON
 
PENELOPE COLE
Site-Based The Beginning
 
PENELOPE COLE
Becoming the Mike Brookes and Mike Pearson’s Coriolan/us
 
SEAN BARTLEY
A Walk in the David Levine’s Private Moment and Ethical Participation in Site-Based Performance
 
DAVID BISAHA
“I Want You to Feel Uncomfortable”: Adapting Participation in A 24-Decade History of Popular Music at San Francisco’s Curran Theatre
 
COLLEEN RUA
Navigating Neverland and Audience as Spect-Character
 
GUILLERMO AVILES-RODRIGUEZ, PENELOPE COLE, RAND HARMON, AND ERIN B. MEE
Ethics and Site-Based A Curated Discussion
 
PART The Robert A. Schanke Award-Winning Essay from the 1038 Mid-America Theatre Conference
 
MICHELLE GRANSHAW
Inventing the The Early Tramp Comic on the Variety Stage
 

272 pages, Paperback

Published February 11, 2020