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روژه مارتن دوگار
کتاب روژه مارتن دوگار اثر آلبر کامو و ترجمهٔ منوچهر بدیعی است. روژه مارتن دوگار در خانوادهای ثروتمند در حومهٔ پاریس به دنیا آمد و بالید. او پس از مطالعهٔ رمان جنگ و صلح اثر نویسندهٔ بزرگ روس، لئو تولستوی، به قصهنویسی علاقهمند شد. نخستین رمانش شکستی تمامعیار بود و او را به جمع افسردگان رهنمون کرد. دوگار پس از پشت سر گذاشتن تجربهٔ حضور در جنگ جهانی اول، هفده سال برای نوشتن رمان خانوادهٔ تیبو وقت صرف کرد و جایزهٔ ادبی نوبل را در سال ۱۹۳۷ به خود اختصاص داد. او که فردی آرام بود، از قیل و قال نفرت داشت و در خلوت زندگی میکرد و مینوشت. بیشک دوگار در تاریخ ادبیات جهان و در میان دوستداران ادبیات جایگاه ویژهای دارد. برخی از نویسندگان نیز دربارهٔ خالق خانوادهٔ تیبو اظهارنظر کردهاند. آلبر کامو یکی از آنهاست. او با انتشار کتاب روژه مارتن دوگار به این نویسنده ادای دین کرده است. گرچه بیشتر حجم کتاب به رمان ماندگار خانوادهٔ تیبو اختصاص یافته؛ ولی کامو معتقد است دوگار و آثارش با تلاشی صبورانه در گوشهٔ انزوا از کار درآمدهاند. او نمونهٔ بسیار نادر یکی از نویسندگان بزرگ ماست که هیچکس شمارهٔ تلفنش را نمیداند. این نویسنده در میان جامعهٔ ادبی ما وجود دارد و با قوت هم وجود دارد. اما چنان حل شده است که قند در آب. حتی میتوان گفت که شهرت و جایزهٔ نوبل او را در تاریکی بیشتری فرو برده است. این مرد ساده و اسرارآمیز چیزی از آن مایهٔ ایزدی در خود دارد که هندوها دربارهٔ آن میگویند: هر چه بیشتر از او نام ببرند، او بیشتر میگریزد.
39 pages, Paperback
Published January 1, 2000
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About the author
Albert Camus
1,085 books38.4k followersWorks, such as the novels
The Stranger
(1942) and
The Plague
(1947), of Algerian-born French writer and philosopher Albert Camus concern the absurdity of the human condition; he won the Nobel Prize of 1957 for literature.
Origin and his experiences of this representative of non-metropolitan literature in the 1930s dominated influences in his thought and work.
He also adapted plays of Pedro Calderón de la Barca, Lope de Vega, Dino Buzzati, and Requiem for a Nun of William Faulkner. One may trace his enjoyment of the theater back to his membership in l'Equipe, an Algerian group, whose "collective creation" Révolte dans les Asturies (1934) was banned for political reasons.
Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest, he came at the age of 25 years in 1938; only chance prevented him from pursuing a university career in that field. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation served as a columnist for the newspaper Combat.
The essay Le Mythe de Sisyphe (The Myth of Sisyphus), 1942, expounds notion of acceptance of the absurd of Camus with "the total absence of hope, which has nothing to do with despair, a continual refusal, which must not be confused with renouncement - and a conscious dissatisfaction."
Meursault, central character of L'Étranger (The Stranger), 1942, illustrates much of this essay: man as the nauseated victim of the absurd orthodoxy of habit, later - when the young killer faces execution - tempted by despair, hope, and salvation.
Besides his fiction and essays, Camus very actively produced plays in the theater (e.g., Caligula, 1944).
The time demanded his response, chiefly in his activities, but in 1947, Camus retired from political journalism.
Doctor Rieux of La Peste (The Plague), 1947, who tirelessly attends the plague-stricken citizens of Oran, enacts the revolt against a world of the absurd and of injustice, and confirms words: "We refuse to despair of mankind. Without having the unreasonable ambition to save men, we still want to serve them."
People also well know La Chute (The Fall), work of Camus in 1956.
Camus authored L'Exil et le royaume (Exile and the Kingdom) in 1957. His austere search for moral order found its aesthetic correlative in the classicism of his art. He styled of great purity, intense concentration, and rationality.
Camus died at the age of 46 years in a car accident near Sens in le Grand Fossard in the small town of Villeblevin.
Chinese 阿尔贝·加缪
Origin and his experiences of this representative of non-metropolitan literature in the 1930s dominated influences in his thought and work.
He also adapted plays of Pedro Calderón de la Barca, Lope de Vega, Dino Buzzati, and Requiem for a Nun of William Faulkner. One may trace his enjoyment of the theater back to his membership in l'Equipe, an Algerian group, whose "collective creation" Révolte dans les Asturies (1934) was banned for political reasons.
Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest, he came at the age of 25 years in 1938; only chance prevented him from pursuing a university career in that field. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation served as a columnist for the newspaper Combat.
The essay Le Mythe de Sisyphe (The Myth of Sisyphus), 1942, expounds notion of acceptance of the absurd of Camus with "the total absence of hope, which has nothing to do with despair, a continual refusal, which must not be confused with renouncement - and a conscious dissatisfaction."
Meursault, central character of L'Étranger (The Stranger), 1942, illustrates much of this essay: man as the nauseated victim of the absurd orthodoxy of habit, later - when the young killer faces execution - tempted by despair, hope, and salvation.
Besides his fiction and essays, Camus very actively produced plays in the theater (e.g., Caligula, 1944).
The time demanded his response, chiefly in his activities, but in 1947, Camus retired from political journalism.
Doctor Rieux of La Peste (The Plague), 1947, who tirelessly attends the plague-stricken citizens of Oran, enacts the revolt against a world of the absurd and of injustice, and confirms words: "We refuse to despair of mankind. Without having the unreasonable ambition to save men, we still want to serve them."
People also well know La Chute (The Fall), work of Camus in 1956.
Camus authored L'Exil et le royaume (Exile and the Kingdom) in 1957. His austere search for moral order found its aesthetic correlative in the classicism of his art. He styled of great purity, intense concentration, and rationality.
Camus died at the age of 46 years in a car accident near Sens in le Grand Fossard in the small town of Villeblevin.
Chinese 阿尔贝·加缪
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September 4, 2021
کتابهای لاغرمیان اغلب مهجور میشوند. مثل همین که سالهاست کنج کتابخانه خاک میخورد تا شبی از بیحوصلگی بازش کردم ولی یکسر خواندم و خوشحالم. وسوسه شدم بالاخره خانوادهی تیبو را شروع کنم. ناخنک زیاد زدم ولی این نمیشود خواندن.
Displaying 1 of 1 review