David Garrick reformed English theatre practice, established a natural style of acting, and made the profession socially acceptable. Drawing on source material from appearances in Boswell's Life, to his own letters, this book offers an account of Garrick's style and pivotal reforms.
This is a fascinating portrayal of a fascinating man and his place in the development of modern theatre. It's beautifully written and explains quite complicated ideas and concepts clearly and eloquently. I was particularly struck by the explanation of 'the sublime' near the start of the book and the description of how Garrick developed his unique acting style.
I'm researching 18th Century London for a novel I'm writing and this was a wonderful find.
My only disappointment with my copy was that someone had written something in the inside cover. It was only on closer inspection that I made out the name 'Jean Benedetti'!
Seems like I might have unknowingly landed myself a signed copy. Such a treat!
A short biography of the great English actor which actually doubles as a great examination of his craft. Benedetti is the great author of studies of Stanislavski and he applies his knowledge of the craft of acting to Garrick, successfully making the case that Garrick was in fact a revolutionary of naturalistic acting in addition to one of the all time greats. Full of plentiful excerpts from primary accounts, this paints a vivid picture of Garrick the actor. The reappraisal that Garrick needs and essential for his fans or for the history of acting.
The English dramatic tradition is the tradition of Garrick. The English school of thought, in the theatre, was born of Garrick and almost singularly through a swift practical hand. To know Garrick, is to know the English stage. He must not be forgotten, for his influence is everywhere.