First edition, with 85 photographic plates depicting women with Winogrand's characteristic spontaneity and "inspired amateurism." "Winogrand was an innovator and one of the most dazzlingly reckless members of what John Szarkowski called photography's 'new generation of primitives...' his style appeared to be no style--effortless, loose, and as uncalculated as a snapshot" (Roth, 192).
Garry Winogrand (1928-1984) was a street photographer known for his portrayal of America in the mid-20th century. John Szarkowski called him "the central photographer of his generation".
Winogrand was influenced by Walker Evans and Robert Frank and their respective publications American Photographs and The Americans. Henri Cartier-Bresson was another influence although stylistically different. Winogrand was known for his portrayal of American life in the early 1960s. Many of his photographs depict the social issues of his time and in the role of media in shaping attitudes. He roamed the streets of New York with his 35mm Leica camera rapidly taking photographs using a prefocused wide angle lens. His pictures frequently appeared as if they were driven by the energy of the events he was witnessing.
Winogrand's photographs of the Bronx Zoo and the Coney Island Aquarium made up his first book The Animals (1969), a collection of pictures that observes the connections between humans and animals. His book Public Relations (1977) shows press conferences with deer-in-the-headlight writers and politicians, protesters beaten by cops, and museum parties frequented by the self-satisfied cultural glitterati. These photographs capture the evolution of a uniquely 20th and 21st century phenomenon, the event created to be documented. In Stock Photographs (1980), Winogrand published his views of the Fort Worth Fat Stock Show and Rodeo.
At the time of his death there was discovered about 2,500 rolls of undeveloped film, 6,500 rolls of developed but not proofed exposures, and contact sheets made from about 3,000 rolls. The Garry Winogrand Archive at the Center for Creative Photography (CCP) comprises over 20,000 fine and work prints, 20,000 contact sheets, 100,000 negatives and 30,500 35mm colour slides as well as a small group of Polaroid prints and several amateur motion picture films.
I... am absolutely loving Winogrand's Women photo series. If anything, this would've been my first photobook I would have totally purchased wholeheartedly. It seemed so apt in kickstarting or rather summarising my photographic oeuvre too. Thanks to some YouTuber who uploaded this book for us viewers publicly.
His women assertive, filled with zeal & passion. He has the ability to perceive 1960s-70s American streets as the basis for his storytelling. He surprises me alot.
"Unlike documentary filmmakers, who were for the most part immersive among willing, aware, and performative participants, Winogrand was immersive among strangers, who were his involuntary and accidental subjects. He devised an extraordinary technique to create a degree of invisibility, but only a degree of it." - How Garry Winogrand Transformed Street Photography, The New Yorker, 2018"
I know this book is often maligned, and I get that, but also think that totally misunderstands his vision. Winogrand was utterly fearless with his camera and how that reflects his own experience in life. And his pictures are full of a profound playfulness and curiosity. He was utterly fearless with his camera, and possessed a great wit and insight into human social behavior.
Indeed they are. Exploring the classics in photography; feast your eyes on these works of art; not all masterpieces but plenty to go around to get you inspired. Many of these collections are long out of print; check out the Internet Archive (https://archive.org); many of the timeless classics are made freely available or after signing up, free to (digitally) borrow.