Because Tyree wants to stay awake all night so that he can surprise his father when he comes home in the morning, the young boy makes a deal with his mother
Greenfield was born Eloise Little in Parmele, North Carolina, and grew up in Washington, D.C., during the Great Depression in the Langston Terrace housing project, which provided a warm childhood experience for her.[1] She was the second oldest of five children of Weston W. Little and his wife Lessie Blanche (née Jones) Little (1906–1986). A shy and studious child, she loved music and took piano lessons.[2][3] Greenfield experienced racism first-hand in the segregated southern U.S., especially when she visited her grandparents in North Carolina and Virginia.[4] She graduated from Cardozo Senior High School in 1946 and attended Miner Teachers College until 1949. In her third year, however, she found that she was too shy to be a teacher and dropped out.[5]
Greenfield began work in the civil service at the U.S. Patent Office. In 1950, she married World War II veteran Robert J. Greenfield, a long-time friend. She began writing poetry and songs in the 1950s while working at the Patent Office, finally succeeding in getting her first poem published in the Hartford Times in 1962 after many years of writing and submitting poetry and stories.[6] After joining the District of Columbia Black Writers Workshop in 1971, she began to write books for children. She has published more than 40 children's books, including picture books, novels, poetry and biographies. She says that she seeks to "choose and order words that children will celebrate".[5][7]
Dismayed by the depiction of blacks and black communities in popular media, Greenfield has focused her work on realistic but positive portrayals of African-American communities, families and friendships.[1] These relationships are emphasized in Sister (1974) a young girl copes with the death of a parent with the help of other family members, Me and Nessie (1975) about best friends, My Daddy and I (1991) and Big Friend, Little Friend (1991) about mentoring.[5] Her first book, Bubbles (1972), "sets the tone for much of Greenfield's later work: Realistic portrayals of loving African American parents working hard to provide for their families, and the children who face life's challenges with a positive outlook."[1] In She Come Bringing Me that Little Baby Girl (1974), a boy deals with feelings of envy and learns to share his parents' love when his baby sister arrives. The poignant Alesia (1981) concerns the bravery of a girl handicapped by a childhood accident. Night on Neighborhood Street (1991) is a collection of poems depicting everyday life in an urban community. One of her best-known books, Honey I Love, first published in 1978, is a collection of poems for people of all ages concerning the daily lives and loving relationships of children and families. Her semi-autobiographical book Childtimes: A Three-Generation Memoir (1979) describes her happy childhood in a neighborhood with strong positive relationships.[5] In the introduction to that book, she explains her interest in biography:
People are a part of their time. They are affected, during the time that they live by the things that happen in their world. Big things and small things. A war, an invention such as radio or television, a birthday party, a kiss. All of these help to shape the present and the future. If we could know more about our ancestors, about the experiences they had when they were children, and after they had grown up, too, we would know much more about what has shaped us and our world.[8]
In 1971, Greenfield began work for the District of Columbia Black Writers' Workshop, as co-director of adult fiction and then, in 1973, as director of children's literature. That group's goal was to encourage the writing and publishing of African-American literature. She was writer-in-residence at the District of Columbia Commission on the Arts and Humanities in 1985-86 and taught creative writing in schools under grants from the Commission. She has also lectured and given free workshops on writing of African-American children's
This picture book had a very realistic storyline that some children may relate to with a parent/guardian being away for a long period of time. Soft and beautiful illustrations. I would say that this picture book would be a good progression to reading chapter books as there are many sentences per page.
Rich illustrations set the tone of this lengthier story book, every word of which brings more love into the night as Tyree desires to stay up for dad, and mother wonderfully balances her understanding, affection, and her own work too. Patience and family shine as the morning’s first pink light approaches.
Touching story of a boy wanting to stay up until early morning for his father to return. Beautifully illustrated and articulated with realistic dialogue. Just wish the description inside the jacket didn't spoil the ending.
This entire review has been hidden because of spoilers.
I have no idea how old I was when I first read this book. I was very, very young because I had it before I could actually read. It is one of the few books I remember needing someone to read to me. It is also the only book I had with black characters in it. Perhaps that is why I remember it so well. The illustrations were so rich- like ice cream. The edition I had was the 1976 edition with illustrations by Moneta Barnett. I hope I still have it packed away somewhere.
This historical picture book was interesting to read and to see the way a little Tyree, the main character, wanted to surprise his dad when he came home. I think this book shows how the mother acted when talking to Tyree and explaining to him that he knows his father will be there when the pink light in the sky appears. I liked this book because it was heartwarming to see the love within the family and how his dad carried him to bed when Tyree did not wake up from the pink light in the sky.
This book caught my eye on the shelf because it looked as if it's been in our library for awhile. Very nice, soft focus illustrations and a realistic storyline that transcends the decades.