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Ant Farm 1968-1978
This richly illustrated book, created to accompany the traveling exhibition of the same name, provides a fascinating critical overview of Ant Farm, the radical architecture collective that brought us Cadillac Ranch, Media Burn, and The Eternal Frame. Established by several young renegade architects in 1968, Ant Farm was a collaborative art and design group eager to bring to its practice a revolutionary spirit more consistent with the times. Its vision encompassed creations for a nomadic lifestyle, including inflatable structures and radical environments that culminated in projects such as the organically appointed House of the Century and the unrealized aquatic edifice The Dolphin Embassy . Ant Farm 1968-1978 explores the sweeping career of this inspired and inspiring visionary collective as its architectural projects broadened to embrace a range of undertakings that challenged the visual architecture of image, icon, and power.
Constance Lewallen provides an in-depth, anecdotally rich interview with founding members Chip Lord, Doug Michels, and Curtis Schreier. An essay by Michael Sorkin gives the multivalent cultural context for Ant Farm's radical architecture. Steve Seid takes a comprehensive look at Ant Farm's influential videotapes. Caroline Maniaque's "Searching for Energy" details the group's inflatable structures in relationship to contemporaneous architects working in a similar vein. The catalog also includes a substantial excerpt from Chip Lord's 1976 meditation on car culture, with a new epilogue; a graphically playful timeline recounting Ant Farm's essential art projects; and a rich montage of images and ephemera capturing the humor, originality, and prescience of this feisty enterprise.
A joint publication with the Berkeley Art Museum
Constance Lewallen provides an in-depth, anecdotally rich interview with founding members Chip Lord, Doug Michels, and Curtis Schreier. An essay by Michael Sorkin gives the multivalent cultural context for Ant Farm's radical architecture. Steve Seid takes a comprehensive look at Ant Farm's influential videotapes. Caroline Maniaque's "Searching for Energy" details the group's inflatable structures in relationship to contemporaneous architects working in a similar vein. The catalog also includes a substantial excerpt from Chip Lord's 1976 meditation on car culture, with a new epilogue; a graphically playful timeline recounting Ant Farm's essential art projects; and a rich montage of images and ephemera capturing the humor, originality, and prescience of this feisty enterprise.
A joint publication with the Berkeley Art Museum
- GenresArtArchitecture
201 pages, Hardcover
First published March 1, 2004
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Displaying 1 - 2 of 2 reviews
January 12, 2021
Ant Farm had an uncanny sense of humor, and they were smart. Maybe in some ways, that put them ahead of their time. A webinar and new book on the Ant Farm's Media Burn, https://vimeo.com/493575858 prompted me to borrow the catalogue which accompanied the Ant Farm's retrospective at the Berkeley Art Museum.
How I met the Ant Farm, back in the 1970s, is a mystery to me, but they were very much a part of my world. Media Burn and The Eternal Frame were two performances in the mid-1970s. Cadillac Ranch became an icon. They did much more, and deserve to be better known.
How I met the Ant Farm, back in the 1970s, is a mystery to me, but they were very much a part of my world. Media Burn and The Eternal Frame were two performances in the mid-1970s. Cadillac Ranch became an icon. They did much more, and deserve to be better known.
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February 13, 2019good overview. anti-capitalist consumerism for what it’s worth. read for dolphin project
Displaying 1 - 2 of 2 reviews


