That is the angry recollection with which a former Zero fighter pilot greets two Japanese siblings who, typically, despite being educated, know next to nothing about a defining war in the Pacific that took place within living memory. The testimony rattles and confuses aspiring lawyer Kentaro and newly minted journalist Keiko since virtually the only fact they’ve grown up hearing about Kyuzo Miyabe is that he died a kamikaze. When the young pair digs deeper into the man’s past, other surviving comrades only seem to confirm the verdict, but its very import begins to shift in surprising ways.
In addition to providing a window into the experiences of the losing side’s flyboys and a frank look at contemporary Japan’s amnesia regarding the war, this novel also undertakes a blistering critique of the folly and inhumanity of the Imperial Navy and Army and a nuanced exploration of the differences between kamikaze pilots and today’s suicide bombers. At its core, however, it is a mystery of sorts about a long-dead man’s actions and intentions and a reconfiguration of the meaning of wartime loyalty and sacrifice.
A debut novel that was published when the author was fifty, The Eternal Zero has become Japan’s all-time top-selling mass-market paperback and the basis of a blockbuster film of the same name.
Naoki Hyakuta is a Japanese novelist and television producer. He is known for his right-wing political views and denying Japanese war crimes prior to and during World War II. He is particularly known for his 2006 novel The Eternal Zero, which became a popular 2013 film, his controversial period as a governor of government broadcaster NHK, as well as his support of Nanjing Massacre denial. Hyakuta has written a number of other books, several of which have been turned into films, such as Bokkusu and Monsuta.
The book offers a perspective on WWII from the Japanese point of view, specifically pilots, and delves into war-time questions of personal sacrifice, military hierarchies, lives wasted through missteps, martyrdom, heroism, and service to one’s country. I learned how ignorant I was about war in the Pacific theater and the use of kamikazes. The story is told through interviews of survivors, now in their 80s, a creative idea, but the words of the survivors did not sound natural (maybe a translation issue?). I wish the author had included a list of his source materials.