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The Night of the Long Knives

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I was one hundred miles from Nowhere—and I mean that literally—when I spotted this girl out of the corner of my eye. I'd been keeping an extra lookout because I still expected the other undead bugger left over from the murder party at Nowhere to be stalking me. I'd been following a line of high-voltage towers all canted over at the same gentlemanly tipsy angle by an old blast from the Last War. I judged the girl was going in the same general direction and was being edged over toward my course by a drift of dust that even at my distance showed dangerous metallic gleams and dark humps that might be dead men or cattle. She looked slim, dark topped, and on guard. Small like me and like me wearing a scarf loosely around the lower half of her face in the style of the old buckaroos.

76 pages, Paperback

Published September 30, 2016

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About the author

Fritz Leiber

582 books1,053 followers
Fritz Reuter Leiber Jr. was one of the more interesting of the young writers who came into HP Lovecraft's orbit, and some of his best early short fiction is horror rather than sf or fantasy. He found his mature voice early in the first of the sword-and-sorcery adventures featuring the large sensitive barbarian Fafhrd and the small street-smart-ish Gray Mouser; he returned to this series at various points in his career, using it sometimes for farce and sometimes for gloomy mood pieces--The Swords of Lankhmar is perhaps the best single volume of their adventures. Leiber's science fiction includes the planet-smashing The Wanderer in which a large cast mostly survive flood, fire, and the sexual attentions of feline aliens, and the satirical A Spectre is Haunting Texas in which a gangling, exo-skeleton-clad actor from the Moon leads a revolution and finds his true love. Leiber's late short fiction, and the fine horror novel Our Lady of Darkness, combine autobiographical issues like his struggle with depression and alcoholism with meditations on the emotional content of the fantastic genres. Leiber's capacity for endless self-reinvention and productive self-examination kept him, until his death, one of the most modern of his sf generation.

Used These Alternate Names: Maurice Breçon, Fric Lajber, Fritz Leiber, Jr., Fritz R. Leiber, Fritz Leiber Jun., Фриц Лейбер, F. Lieber, フリッツ・ライバー

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