Since the 1980s Chicana writers including Gloria Anzaldúa, Cherríe Moraga, Sandra Cisneros, Ana Castillo, and Alma Luz Villanueva have reworked iconic Mexican cultural symbols such as mother earth goddesses and La Llorona (the Wailing Woman of Mexican folklore), re-imagining them as powerful female figures. After reading the works of Chicana writers who created bold, powerful, and openly sexual female characters, Debra J. Blake wondered how everyday Mexican American women would characterize their own lives in relation to the writers’ radical reconfigurations of female sexuality and gender roles. To find out, Blake gathered oral histories from working-class and semiprofessional U.S. Mexicanas. In Chicana Sexuality and Gender , she compares the self-representations of these women with fictional and artistic representations by academic-affiliated, professional intellectual Chicana writers and visual artists, including Alma M. López and Yolanda López. Blake looks at how the Chicana professional intellectuals and the U.S. Mexicana women refigure confining and demeaning constructions of female gender roles and racial, ethnic, and sexual identities. She organizes her analysis around re-imaginings of La Virgen de Guadalupe, La Llorona, indigenous Mexica goddesses, and La Malinche, the indigenous interpreter for Hernán Cortés during the Spanish conquest. In doing so, Blake reveals how the professional intellectuals and the working-class and semiprofessional women rework or invoke the female icons to confront the repression of female sexuality, limiting gender roles, inequality in male and female relationships, and violence against women. While the representational strategies of the two groups of women are significantly different and the U.S. Mexicanas would not necessarily call themselves feminists, Blake nonetheless illuminates a continuum of Chicana feminist thinking, showing how both groups of women expand lifestyle choices and promote the health and well-being of women of Mexican origin or descent.
Debra J. Blake, a professor in the department of Chicano Studies at the University of Minnesota, revisits an old topic in her book Chicana Sexuality and Gender. Many Chicana feminists and writers have wondered, analyzed, and interpreted the roles of archetypal figures like La Virgen de Guadalupe, La Malinche, La Llorona, and the mother earth goddesses in their own ways—that is, to decipher the symbols of each iconic representation; however Blake has gone in another direction altogether by introducing the relationship between these important characters and those of regular working class and semi-professional Mexican American women. She uses oral histories and personal interviews to weave together the influence and existence of Mexican female iconography on the lives of these particular women.
Blake brings a new perspective to Chicana Studies through these oral histories and her own analysis of the meanings of these figures on the lives of these women. Through various cultural expressions, Blake's book reveals both Chicana feminist thought and the reflections of women who are not necessarily feminists. She balances both viewpoints and never tries to be forceful or overly aggressive with her own opinions. Instead, she relies heavily on anecdotal evidence from her different subjects, allowing them to tell their stories; Blake simply fills in the details and offers explanations and backstory to each figure. Chicana Sexuality and Gender is a much welcome addition to the canon of Chicana feminist theory.