Thank you to the publisher BookSirens for providing me with a copy of this novel in exchange for an honest review. It has been published in September 2020.
"The Train" by Roger Wheatley is undoubtedly the best horror novel I've had the pleasure to stumble upon this year.
It should be advertised as such, not as a thriller.
I was hooked since the very first page and until the very end I couldn't put it down.
It reminded me a bit of Jack London's "White Fang", a bit of Joe Lansdale's "The Drive-In" and of course of William Golding's "Lord of the Flies", but at the same time, Roger Wheatley's "The Train" is quite different from any of its predecessors. It has its own, unique flavour.
The premise is surprisingly original in a subgenre - apocalyptic horror - in which so many authors tend to repeat rather than innovate. When the end of the world as we know it arrives, the passengers on an Australian train are left stranded in the middle of the desert, with a limited supply of food and water and several days of walk between them and the closest human settlement.
The plot is simple and brilliant: it follows the huge cast of characters in their fight for survival against hunger, thirst, and the implacably harsh setting they've been thrown into.
The characters are awesome, all of them, even the minor ones who only appear in a scene or two (and even the non-human ones). They have strikingly complex and diverse personalities (yes, even the dingoes). The thing that amazed me the most while I was reading was, these people (and animals) do incredible things, yet their behaviour appears perfectly believable under the extraordinary circumstances they find themselves in. And did I mention that they're unforgettable? I feel like the Captain, the Matron, the twins, Ticky, Tattoo, and everybody else will stay with me long after finishing the book.
But what really made me fall in love with this novel was the writing style. I'm not usually a fan of the omniscient narrator, but I think it suited this particular story perfectly. Even the choice of keeping most of the characters unnamed until near the end of the book, which sounds a bit odd when one puts it like that, made perfect sense in the story.
The accurate, precise vocabulary brilliantly complemented the hard, dry, sharp pace of the narration.
The only small fault I can find in this novel is the misuse of commas (overabundant in places, missing in others) and dialogue punctuation (the beginning of direct speech was properly signaled, but any interruption and subsequent reprise weren't, which was a bit disconcerting). Also, there were quite a few typos (it's instead of its, heal instead of heel, waive instead of wave, Tricky instead of Ticky...), repeated or missing words and occasionally the asterisk and the space separating different sections were left out, which meant switching from one scene to the next seamlessly. A bit confusing.
But overall, nothing that could seriously impact the pleasure of reading this.
I'll be sure to catch up with Roger Wheatley's previous novels and to keep an eye out for the next ones.
And for any Hollywood blockbuster this masterpiece might be adapted into.
I received an advance review copy for free, and I am leaving this review voluntarily.