WHATS Please check out the third page of the book to know the complete list of titles included, along with the authors' names.
ACTION AND ADVENTURE (15 NOVELS)
1. Around the World in Eighty Days 2. El Dorado 3. Moby-Dick 4. Robinson Crusoe 5. Tarzan of the Apes 6. The Adventures of Tom Sawyer 7. The Call of the Wild 8. The Count of Monte Cristo 9. The Game 10. The Hidden Children 11. The Merry Adventures of Robin Hood 12. The Most Dangerous Game 13. The Sea Wolf 14. The Story of the Treasure Seekers 15. Treasure Island
FANTASY (6 NOVELS)
1. Alice's Adventures in Wonderland 2. Peter Pan (Peter and Wendy) 3. The Enchanted Castle 4. The Jungle Book 5. The Wind in the Willows 6. The Wonderful Wizard of Oz
HORROR (40 NOVELS)
1. At the Mountains of Madness 2. Berenice 3. Curious, If True 4. Dagon 5. Dracula 6. Frankenstein 7. Strange Case of Dr Jekyll and Mr Hyde 8. Tales of the Grotesque and Arabesque 9. The Beast in the Cave 10. The Beetle 11. The Burial of the Rats 12. The Call of Cthulhu 13. The Damned Thing 14. The Demon Spell 15. The Devil in the Belfry 16. The Doom That Came to 17. The Dream-Quest of Unknown Kadath 18. The Dualitists 19. The Dunwich Horror 20. The Ghost Pirates 21. The House of the Vampire 22. The Jewel of Seven Stars 23. The King in Yellow 24. The Legend of Sleepy Hollow 25. The Man 26. The Masque of the Red Death 27. The Metamorphosis 28. The Night Land 29. The Power of Darkness 30. The Raven 31. The Shadow out of Time 32. The Shadow Over Innsmouth 33. The Signal-Man 34. The Tell-Tale Heart 35. The Terror 36. The Thing on the Doorstep 37. The Three Strangers 38. The Whisperer in Darkness 39. The White People 40. The Yellow Wallpaper
MYSTERY AND DETECTIVE (20 NOVELS)
1. A Silent Witness 2. A Study in Scarlet 3. Hunted Down 4. No Name 5. Rodney Stone 6. Room 13 7. The Adventures of Sherlock Holmes 8. The Czar's Spy 9. The Daffodil Mystery 10.The Hound of the Baskervilles 11. The Innocence of Father Brown 12. The Island Mystery 13. The Legacy of Cain 14. The Moonstone 15. The Murders in the Rue Morgue 16. The Old Man in the Corner 17. The Phantom of the Opera 18. The Seven Secrets 19. The Spider 20. The Wisdom of Father Brown
NON FICTION (10 NOVELS)
1. Karma Yoga 2. Meditations 3. Tao Te Ching 4. The Art of War 5. The Bhagavad Gita 6. The Book of Five Rings 7. The Kama Sutra 8. The Prince 9. The Republic 10. Twelve Years a Slave
ROMANCE (20 NOVELS)
1. A Voice in the Wilderness 2. Anna Karenina 3. Cleopatra 4. Jane Eyre 5. North and South 6. Oblomov 7. Pride and Prejudice 8. Romeo and Juliet 9. Sense and Sensibility 10. Tess of the d'Urbervilles 11. That Girl Montana 12. The Blithedale Romance 13. The Charterhouse of Parma 14. The Great Gatsby 15. The Hunchback of Notre Dame 16. The Little Lady of the Big House 17. The Man 18.The Three Musketeers 19. Women in Love 20. Wuthering Heights
SCIENCE FICTION (20 NOVELS)
1. 20,000 Leagues Under the Sea 2. A Journey into the Center of the Earth 3. A Modern Utopia 4. A Princess of Mars 5. A Tale of Negative Gravity 6. Herland 7. In the Year 2889 8. Lord of the World 9. Tales of Space and Time 10. The Coming Race 11. The Green Mouse 12. The Invisible Man 13. The Last Man 14. The Machine Stops 15. The Master of the World 16. The Monster Men 17. The Mysterious Island 18. The Scarlet Plague 19. The Time Machine 20. The War of the Worlds
This note regards Alexandre Dumas, père, the father of Alexandre Dumas, fils (son). For the son, see Alexandre Dumas fils.
Alexandre Dumas père, born Alexandre Dumas Davy de la Pailleterie, was a towering figure of 19th-century French literature whose historical novels and adventure tales earned global renown. Best known for The Three Musketeers, The Count of Monte Cristo, and other swashbuckling epics, Dumas crafted stories filled with daring heroes, dramatic twists, and vivid historical backdrops. His works, often serialized and immensely popular with the public, helped shape the modern adventure genre and remain enduring staples of world literature. Dumas was the son of Thomas-Alexandre Dumas, a celebrated general in Revolutionary France and the highest-ranking man of African descent in a European army at the time. His father’s early death left the family in poverty, but Dumas’s upbringing was nonetheless marked by strong personal ambition and a deep admiration for his father’s achievements. He moved to Paris as a young man and began his literary career writing for the theatre, quickly rising to prominence in the Romantic movement with successful plays like Henri III et sa cour and Antony. In the 1840s, Dumas turned increasingly toward prose fiction, particularly serialized novels, which reached vast audiences through French newspapers. His collaboration with Auguste Maquet, a skilled plotter and historian, proved fruitful. While Maquet drafted outlines and conducted research, Dumas infused the narratives with flair, dialogue, and color. The result was a string of literary triumphs, including The Three Musketeers and The Count of Monte Cristo, both published in 1844. These novels exemplified Dumas’s flair for suspenseful pacing, memorable characters, and grand themes of justice, loyalty, and revenge. The D’Artagnan Romances—The Three Musketeers, Twenty Years After, and The Vicomte of Bragelonne—cemented his fame. They follow the adventures of the titular Gascon hero and his comrades Athos, Porthos, and Aramis, blending historical fact and fiction into richly imagined narratives. The Count of Monte Cristo offered a darker, more introspective tale of betrayal and retribution, with intricate plotting and a deeply philosophical core. Dumas was also active in journalism and theater. He founded the Théâtre Historique in Paris, which staged dramatizations of his own novels. A prolific and energetic writer, he is estimated to have written or co-written over 100,000 pages of fiction, plays, memoirs, travel books, and essays. He also had a strong interest in food and published a massive culinary encyclopedia, Le Grand Dictionnaire de cuisine, filled with recipes, anecdotes, and reflections on gastronomy. Despite his enormous success, Dumas was frequently plagued by financial troubles. He led a lavish lifestyle, building the ornate Château de Monte-Cristo near Paris, employing large staffs, and supporting many friends and relatives. His generosity and appetite for life often outpaced his income, leading to mounting debts. Still, his creative drive rarely waned. Dumas’s mixed-race background was a source of both pride and tension in his life. He was outspoken about his heritage and used his platform to address race and injustice. In his novel Georges, he explored issues of colonialism and identity through a Creole protagonist. Though he encountered racism, he refused to be silenced, famously replying to a racial insult by pointing to his ancestry and achievements with dignity and wit. Later in life, Dumas continued writing and traveling, spending time in Belgium, Italy, and Russia. He supported nationalist causes, particularly Italian unification, and even founded a newspaper to advocate for Giuseppe Garibaldi. Though his popularity waned somewhat in his final years, his literary legacy grew steadily. He wrote in a style that was accessible, entertaining, and emotionally reso