Memoirs of the American Academy in Rome, Vol. 63/64

Memoirs of the American Academy in Rome #63

by Sinclair Bell

The  Memoirs of the American Academy in Rome , an annual publication of the American Academy in Rome, gathers articles on topics including Roman archaeology and topography, ancient and modern Italian history, Latin literature, and Italian art and architectural history.

Volume 63/64 is the first volume edited by Sinclair W. Bell, Professor of Art History at Northern Illinois University. This volume includes the following essays and " Incised and Stamped Ceramics from Taking the Long View" by Emma Buckingham and Carla M. Antonaccio; "Early Iron Age and Orientalizing Mediterranean Networks from Funerary Contexts in  Latium vetus : Identifying Gender and Special Patterns of Interaction" by Francesca Fulminante; "Herakles on the A Greek Hydria's Journey from Athens to Vulci" by Sheramy D. Bundrick; "A Hemicycle with a View" by Barbara Burrell; "Coinage Programs and Panegyric in the Reign of Imagery, Audience, and Gency" by Nathan T. Elkins; "Matidia Minor and the Rebuilding of Suessa Aurunca" by Margaret Woodhull; "Sesostris' Chariot in a Roman Circus? A New Interpretation of a Scene Depicted on an Imperial Oil Lamp" by Sylvain Forichon; "The  Sylloge Einsidlensis , Poggio Bracciolini's  De Varietate Fortunae , the Turris de Arcu, and the Disappearance of the Arch of Titus in the Circus Maximus" by Tommaso Leoni; "Three Drawings of the  Domus Aurea  and the Colosseum at the   Disiecta membra  froma Drawing-book after the Antique?" by Marco Burnetti; and reports from the American Academy in Rome covering 2017-2019. 

300 pages, Hardcover

Published September 11, 2020

About the author

Sinclair W. Bell is an American Classical archaeologist and art historian. He is an associate professor of art history at Northern Illinois University where he researchers art and archaeology of the Etruscans, spectacles in the Roman imperial period, and the visual representation of slaves and foreigners in Roman imperial art.