查拉圖斯特拉如是說：尼采的超人決勝論，擺脫「不必努力也能活下去」的末人，力爭上流勝組，成為你自己的神！

by Friedrich Nietzsche

任何時刻，只要當你的人生卡住了，
　　名為「查拉圖斯特拉」的哲學家，都能告訴你「應該要怎麼做」！

　　「聰明的人只要能掌握自己，便什麼也不會失去。」
　　「凡具有生命者，都不斷地在超越自己。而人類，你們又做了什麼？」

　　★超人氣講談社漫畫學術文庫，深受上班族及商業人士歡迎。
　　★傳閱百年、牽動現今人類社會運作模式的經典，你不能不知道！

　　在動物的世界裡，「放棄」就相當於等死，但人類卻創造出一個「就算稍微放棄也死不了」的世界……在這個「不努力又不會怎麼樣」的世界中，日復一日、得過且過的人，就叫做「末人」。

　　你希望自己成為末人嗎？
　　或者──你希望自己能決定「要怎麼活下去」？

　　《查拉圖斯特拉如是說》是一部集尼采思想之大成的巨作，藉由一位哲學家「查拉圖斯特拉」在流浪與傳教的旅途中，所遭遇的種種經歷與體悟，表達他對生命意義與人類存在本質的見解，並闡述三大命題：永劫回歸、上帝已死與超人。

　　本書吸納原典精華，以原創漫畫的形式，重現《查》豐富多面的內涵，幫助我們迅速掌握尼采思想的核心。透過精彩緊湊的情節，還原每個人都會碰到的人生難題，讓讀者在情境思考的過程當中，輕鬆汲取經典中的養分：

　　「我想要贏！我要變得更強！」
　　熱愛足球的相田克輝，一心夢想成為頂尖的職業足球選手，
　　然而，現實卻有如跟他作對一般，令他處處碰壁、事與願違。
　　直到一名神祕的智者（查拉圖斯特拉？）出現……
　　透過「上帝已死」、「虛無主義與末人」、「永劫回歸與超人」等古老哲思，
　　智者用提問與思辨，一步步地帶領克輝，
　　像駱駝一樣背負重擔、像獅子一樣貫徹意志，又像孩子般享受人生……
　　最終令其蛻變為跨越重重險阻的「超人」！

本書特色

　　【看漫畫，活讀經典】
　　《查拉圖斯特拉如是說》被視為是尼采一生中最重要的著作，本書精煉出原典的核心論述，並將其漫畫與圖解化，提供不同領域的讀者，也能用輕鬆有趣的方式，一窺這部傳奇經典的堂奧。

Paperback

Published September 11, 2019

About the author

Friedrich Wilhelm Nietzsche was a German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. He began his career as a classical philologist before turning to philosophy. He became the youngest person to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24, but resigned in 1879 due to health problems that plagued him most of his life; he completed much of his core writing in the following decade. In 1889, at age 44, he suffered a collapse and afterward a complete loss of his mental faculties, with paralysis and probably vascular dementia. He lived his remaining years in the care of his mother until her death in 1897 and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900, after experiencing pneumonia and multiple strokes.
Nietzsche's work spans philosophical polemics, poetry, cultural criticism, and fiction while displaying a fondness for aphorism and irony. Prominent elements of his philosophy include his radical critique of truth in favour of perspectivism; a genealogical critique of religion and Christian morality and a related theory of master–slave morality; the aesthetic affirmation of life in response to both the "death of God" and the profound crisis of nihilism; the notion of Apollonian and Dionysian forces; and a characterisation of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and his doctrine of eternal return. In his later work, he became increasingly preoccupied with the creative powers of the individual to overcome cultural and moral mores in pursuit of new values and aesthetic health. His body of work touched a wide range of topics, including art, philology, history, music, religion, tragedy, culture, and science, and drew inspiration from Greek tragedy as well as figures such as Zoroaster, Arthur Schopenhauer, Ralph Waldo Emerson, Richard Wagner, Fyodor Dostoevsky, and Johann Wolfgang von Goethe.
After his death, Nietzsche's sister Elisabeth became the curator and editor of his manuscripts. She edited his unpublished writings to fit her German ultranationalist ideology, often contradicting or obfuscating Nietzsche's stated opinions, which were explicitly opposed to antisemitism and nationalism. Through her published editions, Nietzsche's work became associated with fascism and Nazism. 20th-century scholars such as Walter Kaufmann, R.J. Hollingdale, and Georges Bataille defended Nietzsche against this interpretation, and corrected editions of his writings were soon made available. Nietzsche's thought enjoyed renewed popularity in the 1960s and his ideas have since had a profound impact on 20th- and early 21st-century thinkers across philosophy—especially in schools of continental philosophy such as existentialism, postmodernism, and post-structuralism—as well as art, literature, music, poetry, politics, and popular culture.