Andrey Platonovich Platonov (1899-1951) is increasingly regarded as one of the greatest writers of the Soviet period. His linguistic virtuosity, philosophical rigour and political unorthodoxy combined to create some of the most captivatingly absurd works of literature in any language. Unsurprisingly, many of these remained unpublished in his lifetime, and indeed for many years thereafter. In this lively and original study, Philip Bullock traces the development of feminine imagery in Platonov's prose, from the seemingly misogynist outrage of his early works to the tender reconciliation with domesticity in his final stories, and argues that gender is a crucial feature of the author's audacious utopian vision.
Philip Ross Bullock is a British academic. He is a Professor of Russian Literature and Music at the University of Oxford, a fellow of Wadham College, Oxford, and the academic director of The Oxford Research Centre in the Humanities (TORCH). He is the recipient of the 2009 Philip Leverhulme Prize for Modern Languages, and the author or editor of several books.