“Gull, Ascending.” A monumental work is perhaps best viewed from a distance.
"My all-time favorite graphic novel … an immense, majestic work about the Jack the Ripper murders, the dark Victorian world they happened in, and the birth of the 20th century." — Warren Ellis, Entertainment Weekly
Experience FROM HELL as never before: fully restored and in color for the first time!
Five unsolved murders. Two of the greatest creators in the history of comics. One sprawling conspiracy, one metropolis on the brink of the twentieth century, and one bloody-minded Ripper ushering London into the modern age of terror. The award-winning bestseller FROM HELL, often ranked among the greatest graphic novels of all time, takes on haunting new dimensions in FROM HELL: Master Edition, enhanced with impressionistic hues by Eddie Campbell himself. -- a 72-page, full-color, prestige-format comic book (6 5/8” x 10 1/8”)
This volume contains Chapter 14, the Epilogue, and “Dance of the Gull-Catchers,” as well as all the original annotations.
Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces) with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.
As a comics writer, Moore is notable for being one of the first writers to apply literary and formalist sensibilities to the mainstream of the medium. As well as including challenging subject matter and adult themes, he brings a wide range of influences to his work, from the literary–authors such as William S. Burroughs, Thomas Pynchon, Robert Anton Wilson and Iain Sinclair; New Wave science fiction writers such as Michael Moorcock; horror writers such as Clive Barker; to the cinematic–filmmakers such as Nicolas Roeg. Influences within comics include Will Eisner, Harvey Kurtzman, Jack Kirby and Bryan Talbot.
Suite et fin de ce brillant comics. Les quelques pages sur la mystique du tueur me paraissent d'assez mauvais goût, mais n'ôtent rien à la puissance narrative irrésistible, intimidante, de l'auteur. L'appendice (inédit ?!), retraçant l'apparition puis l'évolution de la "ripperologie" sur plus d'un siècle est irrésistible - on aimerait une mise à jour de la mise à jour ! -, même si, là encore, faire du tueur un figure quasi métaphysique force le scepticisme.
Si je comprends correctement les bribes d'une vidéo récente, le Companion offrirait bien davantage le point de vue de Campbell sur les scripts de Moore - et offrira par conséquent un parfait contrepoint à cette édition, où l'appareil critique est tout entier le faire du scénariste.
Rarement, sinon jamais, aurai-je eu comme avec cette édition un tel accès au processus de création d'une oeuvre littéraire - son (monstrueux) travail sous-jacent, ses choix, ses nuances, son décorticage des sources et de la licence créative.