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Yet Again
In 1909, ten years had elapsed since Max Beerbohm’s last volume of essays. In the time which had passed, his style had evolved to become a little more elegiac, a little less over-consciously clever.
Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In Seeing People Off we are asked to examine the terrible truth behind awkward goodbyes; in A Club in Ruins the strange and lugubrious magnetism of dying buildings is surveyed; in Ichabod the author shamefacedly asks himself why he should mind that all the labels have been cleaned from his luggage; in The House of Commons Manner he bemoans the surprising lack of skill in speaking of the august members of that house; and in Dulcedo Judiciorum a full account is rendered of the superiority of the entertainment provided by the law courts over that of the theatre. Alongside seventeen other brilliant essays, there is here also a special section of nine imaginative depictions inspired by famous artworks.
Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In Seeing People Off we are asked to examine the terrible truth behind awkward goodbyes; in A Club in Ruins the strange and lugubrious magnetism of dying buildings is surveyed; in Ichabod the author shamefacedly asks himself why he should mind that all the labels have been cleaned from his luggage; in The House of Commons Manner he bemoans the surprising lack of skill in speaking of the august members of that house; and in Dulcedo Judiciorum a full account is rendered of the superiority of the entertainment provided by the law courts over that of the theatre. Alongside seventeen other brilliant essays, there is here also a special section of nine imaginative depictions inspired by famous artworks.
- GenresEssays
306 pages, Paperback
First published January 1, 1909
About the author
Max Beerbohm
323 books95 followersSir Henry Maximilian Beerbohm, as "Max," known British writ, apparently wrote
Caricatures of Twenty-five Gentlemen
in 1896.
Henry Maximilian Beerbohm served as an English essayist, parodist.
https://en.wikipedia.org/wiki/Max_Bee...
Henry Maximilian Beerbohm served as an English essayist, parodist.
https://en.wikipedia.org/wiki/Max_Bee...
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Displaying 1 - 3 of 3 reviews
July 23, 2019
For dipping into rather than reading at a gulp - and stop at the point where he starts describing pictures. Those essays are truly awful!
Did Not Finish
December 30, 2020Beerbohm's essay collections are always patchy. I've read some good essays by him, but also some bad ones.
Read
July 23, 2012Life has given me the great fortune of having many friends as entertaining as this book.
Displaying 1 - 3 of 3 reviews