Often autobiographical, works of American writer Sherwood Anderson include Winesburg, Ohio (1919).
He supported his family and consequently never finished high school. He successfully managed a paint factory in Elyria before 1912 and fathered three children with the first of his four wives. In 1912, Anderson deserted his family and job.
In early 1913, he moved to Chicago, where he devoted more time to his imagination. He broke with considered materialism and convention to commit to art as a consequently heroic model for youth.
Most important book collects 22 stories. The stories explore the inhabitants of a fictional version of Clyde, the small farm town, where Anderson lived for twelve early years. These tales made a significant break with the traditional short story. Instead of emphasizing plot and action, Anderson used a simple, precise, unsentimental style to reveal the frustration, loneliness, and longing in the lives of his characters. The narrowness of Midwestern small-town life and their own limitations stunt these characters.
Despite no wholly successful novel, Anderson composed several classic short stories. He influenced Francis Scott Key Fitzgerald and the coming generation.
Sherwood Anderson reminds me a little of Robert Schumann, the German composer. Hemingway, Faulkner and many other authors from that era accepted Anderson's help, used the influence of his work as a springboard, then turned around after they were successful and dismissed him in one way or another.
Schumann, similarly took Johannes Brahms, his junior, under his wing and taught him so much that he also helped make the latter great. While Brahms was grateful and acknowledged Schumann's genius and contribution, he did flirt and consort with Schumann's wife Clara and diddled her when she was widowed.