This microchapbook explores the idea of giving a voice to the inanimate, through imagining a letter written from a person's bed sheets. When I started writing this piece, I was looking at writing a poem distanced from the ‘I’ which I find myself writing most often; I wanted to instead write from the perspective of something that does not have a voice of its own. Sheets are witness to a huge portion of humans’ lives: sleep, sorrow, romance, sex, death, and more. By using this voice I delved into a voyeuristic but gentle observation of a place in which humans are often at their most vulnerable.
Our sheets are primarily places of comfort and solace, but also isolation. I was intrigued by the concept of what people are like when they think nothing is watching – when they are allowed to be their barest self. It may read like a confession or a love letter, and I think to each person it will vary depending on their own relationship with sheets and sleep – one of the few activities all humans partake in. This book is a fragmented narrative, of flashes of actions and images that give us an insight into the person’s life through the moments that they spend in their bed.
Firstly this is a beautiful little book from a small press producing hand made, affordable micro books that focus on new voices. Elizabeth Kemball's poetry collection is a playful and poignant reflection on what our bedsheets might say about us. The poetry is always witty and delivers rich imagery and incite at every turn.
The Micro-chapbook format is a great innovation too, a succession of small pages that allow the poetry to break and build in a way that enhances the reading experience. A letter from your sheets // if your sheets could speak is an excellent and inspirational example of what the Micro chapbook can achieve.