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Recognition and Revelation: Short Nonfiction Writings (Volume 251)
Margaret Laurence, best known for her germinal novels set in the Canadian prairies, is one of the nation's most respected authors. She was also an accomplished essayist, yet today her nonfiction writing is largely unavailable and therefore little known. In Recognition and Revelation Nora Foster Stovel brings together Laurence's short nonfiction works, including many that have not previously been collected and some that have never before been published. These works, including over fifty essays and addresses that span Laurence's writing career from the 1960s to the 1980s, reveal her passionate concern for Canadian literature and for the land and peoples of Canada. Based on extensive archival research, Stovel's introduction contextualizes Laurence's nonfiction writings in her life as a creative artist and political activist and as a woman writing in the twentieth century. The texts range from essays on Laurence's own writings and on other works of Canadian literature to autobiographical essays, several focusing on environmental concerns, to sociopolitical essays and writing advocating for peace and nuclear disarmament. By revealing Laurence as a socially and politically committed artist, this collection of lively and provocative essays illuminates the undercurrents of her creative writing and places her fiction - often informed by her nonfiction writing - in a new light.
- GenresWriting
400 pages, Paperback
Published September 23, 2020
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About the author
Margaret Laurence
47 books411 followersCanada's classic authoress was born Jean Margaret Wemyss on July 18, 1926 in the prairie town of Neepawa, Manitoba, Canada. Her Mom, Verna, passed away early. Her Aunt Margaret helped her Father take care of her for a year, then they married and had a Son. Their Father died two years afterwards. Aunt Margaret was a Mother to her, raising the kids in theirr maternal Grandfather's home.
Margaret wrote stories in elementary school. Her professional writing career began in 1943 with a job at the town newspaper and continued in 1944, when she entered the Honours English program at Winnipeg's United College (University Of Winnipeg.) After graduating in 1947, she was hired as a reporter for The Winnipeg Citizen. That year, she married Jack Laurence, a civil engineer.
Jack's profession took the couple to England, Somalia, and eventually Ghana, where Margaret gained an appreciation for Africa and the storytelling traditions of its peoples. It was in Africa that their children, Jocelyn and David, were born, and when Margaret began to work seriously on her writing. Her book of essays about and translations of Somali poetry and prose was published in 1954 as A Tree for Poverty. A collection of short stories, The Tomorrow-Tamer, as well as a novel, This Side Jordan (both focusing on African subjects) were published after Margaret returned home to Canada. Her fiction was thereafter concerned with Canadian subjects, but she maintained her interest in African literature and in 1968 published a critical analysis of Nigerian literature, Long Drums and Cannons: Nigerian Dramatists and Novelists 1952-1966. Present in her African works is a concern with the ethical dilemma of being a white colonialist living in colonial Africa.
In 1957, Margaret and her family moved to Vancouver, British Columbia, for five years. In 1962, Margaret & Jack divorced. She moved to London, England for a year, followed by a cottage in Buckinghamshire for ten years, although she visited Canada often. During this period, Margaret wrote her first works with Canadian subject matter.
"The Stone Angel" was published in 1964, and was the first of her "Manawaka novels", the fictional prairie community modelled after her hometown of Neepawa, Manitoba. It was followed by "A Jest Of God" in 1966 (for which she won her first Governor General's Award,) "The Fire-Dwellers" in 1969, and "A Bird In The House" in 1970. Margaret received critical and commercial acclaim in Canada and in 1971, was honoured by being named a Companion to the Order of Canada.
In the early 1970s, she returned to Canada and settled in Lakefield, Ontario. She continued to write and was writer-in-residence at the University Of Toronto, the University Of Western Ontario, and Trent University. In 1974, Margaret completed her final novel, "The Diviners", for which she received the Governor General's Award and the Molson Prize. It was followed by a book of essays, Heart Of A Stranger" in 1976 and several children's books: "Jason's Quest", "The Olden-Days Coat", "Six Darn Cows", and "The Christmas Birthday Story". Her autobiography "Dance On The Earth" was published in 1987.
Margaret died on January 5, 1987 at her home in Lakefield, after learning her lung cancer diagnosis was terminal. She is buried in Neepawa Cemetery, a few metres from the stone angel which inspired her novel.
Margaret wrote stories in elementary school. Her professional writing career began in 1943 with a job at the town newspaper and continued in 1944, when she entered the Honours English program at Winnipeg's United College (University Of Winnipeg.) After graduating in 1947, she was hired as a reporter for The Winnipeg Citizen. That year, she married Jack Laurence, a civil engineer.
Jack's profession took the couple to England, Somalia, and eventually Ghana, where Margaret gained an appreciation for Africa and the storytelling traditions of its peoples. It was in Africa that their children, Jocelyn and David, were born, and when Margaret began to work seriously on her writing. Her book of essays about and translations of Somali poetry and prose was published in 1954 as A Tree for Poverty. A collection of short stories, The Tomorrow-Tamer, as well as a novel, This Side Jordan (both focusing on African subjects) were published after Margaret returned home to Canada. Her fiction was thereafter concerned with Canadian subjects, but she maintained her interest in African literature and in 1968 published a critical analysis of Nigerian literature, Long Drums and Cannons: Nigerian Dramatists and Novelists 1952-1966. Present in her African works is a concern with the ethical dilemma of being a white colonialist living in colonial Africa.
In 1957, Margaret and her family moved to Vancouver, British Columbia, for five years. In 1962, Margaret & Jack divorced. She moved to London, England for a year, followed by a cottage in Buckinghamshire for ten years, although she visited Canada often. During this period, Margaret wrote her first works with Canadian subject matter.
"The Stone Angel" was published in 1964, and was the first of her "Manawaka novels", the fictional prairie community modelled after her hometown of Neepawa, Manitoba. It was followed by "A Jest Of God" in 1966 (for which she won her first Governor General's Award,) "The Fire-Dwellers" in 1969, and "A Bird In The House" in 1970. Margaret received critical and commercial acclaim in Canada and in 1971, was honoured by being named a Companion to the Order of Canada.
In the early 1970s, she returned to Canada and settled in Lakefield, Ontario. She continued to write and was writer-in-residence at the University Of Toronto, the University Of Western Ontario, and Trent University. In 1974, Margaret completed her final novel, "The Diviners", for which she received the Governor General's Award and the Molson Prize. It was followed by a book of essays, Heart Of A Stranger" in 1976 and several children's books: "Jason's Quest", "The Olden-Days Coat", "Six Darn Cows", and "The Christmas Birthday Story". Her autobiography "Dance On The Earth" was published in 1987.
Margaret died on January 5, 1987 at her home in Lakefield, after learning her lung cancer diagnosis was terminal. She is buried in Neepawa Cemetery, a few metres from the stone angel which inspired her novel.
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November 6, 2021
A really thought-provoking collection of non-fiction writings (mainly essays and speeches) that demonstrate Margaret Laurence's commitment to a wide range of social justice issues and the thinking that informed her fiction.
Here are a couple of passages from the book that really resonated with me.
"Optimism in this world seems impossible to me. But in each novel there is some hope, and that is a different thing entirely." (pg. 7)
"My generation's inheritors inherit a deeply troubled world. We are certainly not passing on a secure heritage. But I hope we are passing on, even in the midst of a terrifying world, some sense of hope, some sense that these lifelong struggles are worthwhile because life itself is worthwhile and is given to each of us for a short time--to protect, to honour, and to celebrate." (pg. 225)
"It is my feeling that as we grow older we should become not less radical but more so. I do not, of course, mean this in any political-party sense, but in a willingness to struggle for those things in which we passionately believe." (pg. 247)
Here are a couple of passages from the book that really resonated with me.
"Optimism in this world seems impossible to me. But in each novel there is some hope, and that is a different thing entirely." (pg. 7)
"My generation's inheritors inherit a deeply troubled world. We are certainly not passing on a secure heritage. But I hope we are passing on, even in the midst of a terrifying world, some sense of hope, some sense that these lifelong struggles are worthwhile because life itself is worthwhile and is given to each of us for a short time--to protect, to honour, and to celebrate." (pg. 225)
"It is my feeling that as we grow older we should become not less radical but more so. I do not, of course, mean this in any political-party sense, but in a willingness to struggle for those things in which we passionately believe." (pg. 247)
Displaying 1 of 1 review