Short story anthologies are always such an interesting thing to read and rate, since each story can differ so dramatically. In this case, Piazza’s writing crosses several genres across these stories, from horror, to historical fiction, to absurdly goofy. As a starting point, I would say do not read the little author intros to each story until after you have read the story. This spoiled what could have been a nice reveal in the first story (The Sound Of Snow Falling).
I love Piazza’s full lengths, with both One Last Gasp and Song into the Void popping into my head with regularity as memorable examples of historical, cosmic horror. It’s a surprising niche of horror, but I like it. And his short stories here, for the most part, are great. There are some good stories that fall a bit short for me, including the aforementioned opener, as well as “Shards Of Glass”, which is Book 1 of his “Contemporary Fantasy” trilogy. It was enjoyable but not my cup of tea. “Independent Study” is successful as a Lovecraft homage, but feels like it’s missing something, “The Last Pencil” is sweet but maybe a touch too sentimental in this collection, and “Alley Cats” is fun but ridiculous.
There are only three stories in here that are average at best. “Harry’s Ride” feels like a generic sci-fi romp. “A Little Vampire Story”, while fun, is TOO absurd. And “The Death Of Armadillo Boy” is just weird. It tracks that those last two were written under his Christopher Andrew pen name because they definitely feel like a departure.
“The Long Drive Home” and “Kept Secrets” are quintessential short stories that pack the punch of promise but without being able to fully flesh anything out.
My top three stories are “Promises, Promises”, which lives up to its intention of a Twilight Zone homage, “Tracks in the Snow”, which is a WWII war story that had me remembering the intrigue of One Last Gasp (minus the cosmic horror), and “A Fine Cigar”, which I need to read a full length novel of immediately.