The Imagery of Soviet Foreign Policy and the Collapse of the Russian Empire:

by Christopher Smart

This study explores how Soviet leaders shaped the image their state cast since the death of Stalin. The fact that the leadership's legitimacy rested upon values and aims that were fundamentally at odds with the international system imposed a cumbersome task of image management. Each leader approached this task with a different strategy, and each strategy had direct consequences for Soviet behavior abroad and for the coherence of the Soviet state at home. The dynamics of foreign policy and image management, from Khrushchev and Brezhnev through Gorbachev and Yeltsin, are analyzed here in a revealing look at a superpower on the world stage.

192 pages, Hardcover

First published January 1, 1995

About the author

Christopher Smart was an English poet. He was a major contributor to two popular magazines, The Midwife and The Student, and a friend to influential cultural icons like Samuel Johnson and Henry Fielding. Smart, a high church Anglican, was widely known throughout London.
Smart was infamous as the pseudonymous midwife "Mrs. Mary Midnight" and for widespread accounts of his father-in-law, John Newbery, locking him away in a mental asylum for many years over Smart's supposed religious "mania". Even after Smart's eventual release, a negative reputation continued to pursue him as he was known for incurring more debt than he could repay; this ultimately led to his confinement in debtors' prison until his death.
His two most widely known works are A Song to David and Jubilate Agno, which are believed to have been written during his confinement in St. Luke's Asylum, although this is still debated by scholars as there is no record of when they were written. It is even more unclear when the works were written as Jubilate Agno was not published until 1939 when it was found in a library archive and A Song to David received mixed reviews until the 19th century. To his contemporaries, Smart was known mainly for his many contributions in the journals The Midwife and The Student, along with his famous Seaton Prize poems and his mock epic The Hilliad. Although he is recognized primarily as a religious poet, his poetry includes various other themes, such as his theories on nature and his promotion of English nationalism.