The Book on the Living God , The Book on Life Beyond and this book form a trilogy containing the core of Bô Yin Râ's teachings.
The Book on Human Nature presents basic concepts about human nature with the goal of inspiring readers to awaken the timeless, spiritual spark within. We become fully human only when the spiritual potential within us gradually awakens and infuses our material, purely animal selves. It is a path that every human being may and should pursue. A central understanding is that all life results from the joining of opposites, in particular, the polarity of male and female energies. Bô Yin Râ emphasizes that the true spiritual human being is male and female united in one entity; when we seek our spiritual self, we must call forth the male and female in ourselves and in all things. He discusses the biblical fall from grace as a descent from the spiritual plane, in which male and female were united, onto a material plane, in which male and female are split apart. Here on earth, this split can be healed within marriage. A true marriage, Bô Yin Râ tells us, is preparation for the life by coordinating the desires, wills and attitudes of two beings we once again bring about, in some measure, the original state in which male and female energies are united. E.W.S., Publisher The Kober Press's translations of the books of Bô Yin Râ are the only English translations authorized by the Kober Verlag, Switzerland. The Kober Verlag publishes the books of Bô Yin Râ in the original German and has protected their integrity since Bô Yin Râ's lifetime. Introduction. The Mystery Enshrouding Male and Female. The Path of the Female. The Path of the Male. Marriage. Children. The Human Being of the Age to Come. Epilogue. A Final Word.
Pseudomym of Joseph Anton Schneiderfranken. The father, Joseph S., was a native of Burgstadt, Franconia. The mother, Maria Anna, née Albert, came from Hosbach, near Aschaffenburg.
Schneiderfranken was graduated from the Städelsche Art Institute at the conclusion of the summer semester 1899, in the master class of Prof. W.A. Beer (1837-1907). From September 1900 to the end of June 1901 his studies were continued at the Academy of Fine Arts in Vienna, under Prof. Ch. Griepenkerl (1839-1916). In the fall of 1901 he briefly lived in Munich, where he later made his residence for longer periods. Here a fellow painter, Gino Parin (1876-1944), was his studio neighbor and became a friend whose skill and expertise he counted very valuable.
In the early summer of 1902 he attended the Académie Julian in Paris, where his teachers were Tony Robert-Fleury (1837-1911) and Jules Joseph Lefebvre (1836-1912).
In 1906 a collection of his pen-and-ink and pencil drawings was exhibited at the Kunstverein at Leipzig. That year he traveled for six weeks in Italy. In 1908 he also visited the south of Sweden. During the next few years, 1909-1912, his studio was in Munich.
From 1913 to 1915 he worked again in Munich. In 1915 the E. Schulte Gallery in Berlin exhibited a collection of his Greek landscapes.
Until the spring of 1923 the author lived and worked in Görlitz.
Yet another strongly worded book by Bo Yin Ra. He's got some interesting thoughts, certainly more digestible than Alice Bailey. He's got some interesting reconfigurations of how males and females fit together. He provides a retooling of how childhood and old age fit together. I didn't really find anything really striking though.