The result is a portrait of the battle between men and the sea. In many cases it was the sea that won. It is also a tribute to those of the lifeboat service who risked their lives so that others in distress might be saved.
Anthony Lane has been a film critic for The New Yorker since 1993. Lane became the deputy literary editor of The Independent, in London, in 1989, and, a year later, a film critic for The Independent on Sunday.
In 2001, Lane’s reviews were awarded the National Magazine Award for Reviews and Criticism. His writings for The New Yorker are collected in the book “Nobody’s Perfect.”