This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Johan August Strindberg, a Swede, wrote psychological realism of noted novels and plays, including Miss Julie (1888) and The Dance of Death (1901).
Johan August Strindberg painted. He alongside Henrik Ibsen, Søren Kierkegaard, Selma Lagerlöf, Hans Christian Andersen, and Snorri Sturluson arguably most influenced of all famous Scandinavian authors. People know this father of modern theatre. His work falls into major literary movements of naturalism and expressionism. People widely read him internationally to this day.
How can a writer whose observation on human beings is so minute fail so extremely when it comes to observing nature? Strindberg's refuting of the natural science of his times and his coming up with strange paraphysical conclusions maybe of some literary value - if you can take is a pure style exercise -, but doesn't say anything substantial about our world. How good that about one third of this German selection from Strindberg's four blue book volumes consists of his descriptions of human relations, mostly but not exclusively the antagonistic or curious ones. Those are a delight.