Commonplace and Creativity

by Flemming G. Andersen

As the first book of its kind Commonplace and Creativity offers a comprehensive study of the formulaic narrative technique in the traditional ballads of England and Scotland. It outlines a new concept of the ballad formula and presents a new assessment of how formulas function in context. The author analyses more than 2.000 formula lines and stanzas, and emphasizing the distinctly dramatic, 'supra-narrative' potential of the coventional ballad language he demonstrates that singers may use formulas discriminatingly to produce their 'own' versions of the ballads. Formulas can be characterized in terms of both stability and variation, and consequently they are an important vehicle for the traditional re-creativity and gradual re-interpretation which are so vital for the life of the ballad tradition.

404 pages, Paperback

First published January 1, 1985

Reviews

[Jason · Rating 5 out of 5]

Careful application of oral-formulaic theory to Anglo-Scottish ballad traditions; focuses very much on the synchronic tradition; fails to really look at the individual singer's part; but gives ballad singers far more credit for artistry than most. Somewhat prefigures Foley's immanence with his super-narrative functions of ballad formulas. Useful for application to other Northern European ballad traditions - lines up well with what I am finding in Swedish ballad traditions.