This book covers a wide range of subjects from Latin literature and language to textual history and criticism. E. D. Francis gives a history of the words prae and pro, as adverb, preposition and prefix. H. D. Jocelyn surveys the distribution and differing uses of quotations from Greek poetry in Cicero's prose writings and D. F. S. Thomson takes a fresh look at the manuscript tradition of Catullus. The remaining six articles deal with later authors and are divided equally between the poets and the historians: a reading of Horace's Roman Odes and their relation to the other odes in which he addressed the Roman people; a demonstration of the internal coherence of a Tibullan elegy and two Juvenal satires; a review of disputed readings in the OCT of Livy IX; an analysis of the structure of the prologues to the Annals, Histories and Agricola to cast light on Tacitus' intentions; and a critical review of Tacitus' portrait of Germanicus, generally viewed in a sympathetic light but debated by D. O. Ross.
Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural landscapes. They are usually escapist, framing the New World as a natural eden contrasting with the smog-filled cityscapes of Industrial Revolution-era Britain, in which he grew up. His works, often seen as conservative, criticize the contemporary trends of industrialism, urbanism, and westward expansion.