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August Sander - In Photography There Are No Unexplained Shadows!
The master of camera portraiture, August Sander began photographing people as a boy around the iron-ore mines of his German hometown. Through the course of his life he built up a diverse catalogue of portraits, capturing people of all ages, from every social setting and calling. Broad in its subject matter, Sander's work shows a universal quality: the innate ability of the photographer to present more than an image, to show the characters of his sitters.
This fascinating book offers a pictorial overview of Sander's rich body of work in over 190 images, including a selection of Sander's haunting yet little known landscapes. It gives a unique insight into an era and its people, and as such is a valuable historical and artistic source.
This fascinating book offers a pictorial overview of Sander's rich body of work in over 190 images, including a selection of Sander's haunting yet little known landscapes. It gives a unique insight into an era and its people, and as such is a valuable historical and artistic source.
272 pages, Hardcover
First published January 1, 1994
About the author
August Sander
35 books4 followersAugust Sander (1876-1964) was a German photographer whose work documented the society he lived in. Lauded as one the most important portrait photographers of the early 20th century, Sander focused his gaze on bricklayers, farmers, bakers, and other members of the community. “Nothing seemed to me more appropriate than to project an image of our time with absolute fidelity to nature by means of photography,” he once declared. “Let me speak the truth in all honesty about our age and the people of our age.”
Born in Herdorf, Germany on November 17, 1876, Sanders learned photography during his military service in the city of Trier. By 1910, he had moved to a suburb of Cologne, spending his days biking along the roads to find people to photograph. By the time the Nazi regime rose to power in the 1930s, Sander was considered an authority on photography and recognized for his book Face of Our Time (1929). During this era, he faced both personal persecution and the systematic destruction of his work. Following the death of his son in 1944, and the destruction of his work in 1946, Sander practically ceased photography altogether. He died in Cologne, Germany on April 20, 1964 at the age of 87.
Today, the artist’s works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Wallraf-Richartz Museum in Cologne, among others.
Born in Herdorf, Germany on November 17, 1876, Sanders learned photography during his military service in the city of Trier. By 1910, he had moved to a suburb of Cologne, spending his days biking along the roads to find people to photograph. By the time the Nazi regime rose to power in the 1930s, Sander was considered an authority on photography and recognized for his book Face of Our Time (1929). During this era, he faced both personal persecution and the systematic destruction of his work. Following the death of his son in 1944, and the destruction of his work in 1946, Sander practically ceased photography altogether. He died in Cologne, Germany on April 20, 1964 at the age of 87.
Today, the artist’s works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Wallraf-Richartz Museum in Cologne, among others.
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