How the World Became a Stage: Presence, Theatricality, and the Question of Modernity

by William Egginton

Argues that the experience of modernity is fundamentally spatial rather than subjective.

216 pages, Paperback

First published October 1, 2002

About the author

William Egginton is a literary critic and philosopher. He has written extensively on a broad range of subjects, including theatricality, fictionality, literary criticism, psychoanalysis and ethics, religious moderation, and theories of mediation. William Egginton was born in Syracuse, New York in 1969. He received his PhD in Comparative Literature from Stanford University in 1999. His doctoral thesis, "Theatricality and Presence: a Phenomenology of Space and Spectacle in Early Modern France and Spain," was written under the direction of Hans Ulrich Gumbrecht. He currently resides with his wife, Bernadette Wegenstein, and their three children, in Baltimore, Maryland. William Egginton is the Decker Professor in the Humanities and Director of the Alexander Grass Humanities Institute at the Johns Hopkins University, where he teaches on Spanish and Latin American literature, literary theory, and the relation between literature and philosophy.