During the second half of the 18th century the most powerful literary work in Britain was nonfictional - philosophy, history, biography, and political controversy, Leo Damrosch argues that this tendency is no accident; at the beginning of the modern age, writers were consciously aware of the role of cultural fictions, and they sought to ground those fictions in a real world beyond the text. Their political conservatism was a considered response to a world in which meaning was inseparable from consensus, and in which consensus was increasingly under attack.
Leo Damrosch is an American author and professor. In 2001, he was named the Ernest Bernbaum Professor of Literature at Harvard University.[1] He received a B.A. from Yale University, an M.A. from Cambridge University, where he was a Marshall Scholar, and a Ph.D. from Princeton University. His areas of academic specialty include Romanticism, the Enlightenment, and Puritanism.[1] Damrosch's "The Sorrows of the Quaker Jesus" is one of the most important recent explorations of the early history of the Society of Friends. His Jean-Jacques Rousseau: Restless Genius (2005) was a National Book Award finalist for nonfiction and winner of the 2006 L. L. Winship/PEN New England Award for best work of nonfiction. Among his other books are "Symbol and Truth in Blake's Myth" (1980), "God's Plot and Man's Stories: Studies in the Fictional Imagination from Milton to Fielding" (1985), "Fictions of Reality in the Age of Hume and Johnson" (1987), and "Tocqueville's Discovery of America" (2010).