This book represents an authentic reproduction of the text as printed by the original publisher. While we have attempted to accurately maintain the integrity of the original work, there are sometimes problems with the original work or the micro-film from which the books were digitized. This can result in errors in reproduction. Possible imperfections include missing and blurred pages, poor pictures, markings and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as part of our commitment to protecting, preserving and promoting the world's literature. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++"The comical revenge, or, Love in a tub as it is now acted at Her Majesty's theatre / by Sir George Etherege."Etherege, George, Sir, 1635?-1691.Imperfect: pages stained.[6], 71, [2] p.London: Printed for H. Herringman and are to be sold by Francis Saunders ..., 1689.Wing / E3371EnglishReproduction of the original in the Henry E. Huntington Library and Art Gallery++++This book represents an authentic reproduction of the text as printed by the original publisher. While we have attempted to accurately maintain the integrity of the original work, there are sometimes problems with the original work or the micro-film from which the books were digitized. This can result in errors in reproduction. Possible imperfections include missing and blurred pages, poor pictures, markings and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as part of our commitment to protecting, preserving and promoting the world's literature.
Обаятельная вариация шекспировских комедий времён Реставрации. Схожие отражения любовных пар в возвышенной и ироничной интонациях, вроде бы проходной образ высокомерного французского слуги, заключённого насмешниками в бочку, довлеет над повествованием, словно Основа с ослиной головой в "Сне в летнюю ночь".
С точки зрения исторического контекста примечательно высмеивание "дворян Оливера", представленных тупоумными выскочками, быть может, не уступающими подлинным аристократам в готовности дебоширить, но, в отличие от них, не способными на проявление благородства. И, кажется, впервые встретил здесь литературное подтверждение удивительного обычая секундантов вступать друг с другом в поединок вслед за виновниками поединка.