Distinguished historian of Judaism Jacob Neusner here ventures for the first time into constructive theology. Taking the everyday life of contemporary Judaism as his beginning, Neusner asks when in the life of the living faith of the Torah does Israel, the holy community, meet God? Where does the meeting take place? What is the medium of the encounter?
In his attempt to answer these questions, Neusner sets forth the character and the form of the Torah as sung theology. Israel, the holy community, meets God in the synagogue, while at prayer, and in the yeshiva, when studying the Torah—at the moment in each setting when the Torah is received. In both circumstances people do not read but sing out its words. With the written part of the Torah sung in the synagogue, and the oral part declaimed in centers of sacred learning, music provides the medium for Judaism's theological voice.
Neusner identifies a reciprocal exchange between the holy community Israel and Israel sings to God when the Torah is studied, and God sings to Israel when the Torah is declaimed. Through the metaphor of music, Neusner offers an account of how he believes those faithful to the Torah meet God in the Torah, and how they should listen to the melody of God's self-revelation. The result is an original theological reflection that will interest all students of Judaism.
Born in Hartford, Connecticut, Neusner was educated at Harvard University, the Jewish Theological Seminary of America (where he received rabbinic ordination), the University of Oxford, and Columbia University.
Neusner is often celebrated as one of the most published authors in history (he has written or edited more than 950 books.)Since 1994, he taught at Bard College. He also taught at Columbia University, University of Wisconsin–Milwaukee, Brandeis University, Dartmouth College, Brown University, and the University of South Florida.
Neusner was a member of the Institute for Advanced Study in Princeton, and a life member of Clare Hall, Cambridge University. He is the only scholar to have served on both the National Endowment for the Humanities and the National Endowment for the Arts. He also received scores of academic awards, honorific and otherwise.