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Dramatis Personae

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

398 pages, Hardcover

Published March 6, 2019

About the author

Gerolamo Rovetta (November 30, 1851 – May 8, 1910) was an Italian writer and playwright.

Born in Brescia, Rovetta was the author of many novels and short stories as well of stage plays, mostly dramas. His first novel was Mater dolorosa (1882), a novel set in the world of the nobles that achieved a considerably popular success.

He is also well known for the drama Romanticismo, whose success was partly due to its patriotic content; it was later adapted in a film with the same name directed by Clemente Fracassi and starred by Amedeo Nazzari and Clara Calamai. In theatre Romanticismo and I disonesti found in Paola Pezzaglia an ideal interpreter.

Close to verismo, his works represent the Lombard political and the bourgeoisie of the time, and show the disillusionment for the failure of the ideals of the Risorgimento.

In 1910 Rovetta committed suicide, leaving an unfinished novel.

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