This book takes a bold look at public art and its populist appeal, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art – from FDR's New Deal to Christo's The Gates – and challenges preconceived notions of public art, expanding its definition to include a broader scope of works and concepts.
I care so deeply about the relationship between art and populism and Knight handles the topic so well. She asks all the right questions and introduces exciting explorations. An academic text about accessiblity that is actually accessible and enjoyable to read - what a concept!